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La Red Brings Its Original Music to the U.S.A.

Claudia García, International Management Coordinator for La Red 2018 Tour

12-15-2018

La Red de Escuelas de Música de Medellín (The Music School Network of Medellín) toured the East Coast of the United States in November. Eighty students from La Red’s 27 music schools across Medellín, Colombia were selected through auditions to be part of this creative journey. These students had the opportunity to analyze and reflect on the city they live in, and to produce a 60-minute musical suite called “Medellín Canción Viva” [Medellín, A Living Song].

Supporting the Young Artist’s Initiative

Michael Pechter, Director of Play On Philly’s POP Emerging Artist Collective (PEAC)

12-01-2018

This fall marks the second year of an exciting new talent development program at Play On Philly! Our Emerging Artist Collective (PEAC) is a cohort of nearly twenty students who have demonstrated the utmost dedication and whose families have demonstrated the devotion needed for success. Unlike all other Play On Philly students, those in PEAC receive private lessons and advocacy as they navigate Philadelphia’s musical landscape. As director of this program, I work to show them that a life playing music and immersed in music is a true possibility for them.

What It Really Takes

Osi Atikpoh, Freelance Musician

12-01-2018

Tuned In is a music program based in Baltimore City that provides free, top-notch musical training for young musicians. As a Tuned In graduate, I’ve had the opportunity to meet a lot of people from a lot of non-profit art programs. Most of all, I really enjoy meeting people who are in the beginning stages of launching their own program.

From the Editor

Tricia Tunstall

12-01-2018

I’ve been thinking lately about the problematic nature of the relationship between Sistema and pop music. I don’t mean the genre issue. I am a fan of many current pop artists and much pop music. And I think it’s absolutely essential that Sistema programs embrace ensemble arrangements of the pop music that is meaningful to our kids. So this is not about “classical” versus “pop.” Rather, it’s about the collaborative ethos at the heart of Sistema versus the cult of individual celebrity that dominates pop culture.

Introducing the L.A. Orchestra Fellowship

11-16-2018

A model to adopt?  This was the first year of the L.A. Orchestra Fellowship, a two-year intensive for musicians who play violin, viola and cello.

More Than the Sum of Our Parts

Helen Eaton, Chief Executive Officer, Settlement Music School, Philadelphia, PA

11-01-2018

We start with the premise, “Get comfortable with the uncomfortable.” Collaboration is not a simple process – it is so much easier just to insulate your organization and do everything in exactly the way you would like. But then the larger purpose that so many of us are working towards – life-changing opportunities for young people that are made possible by equitable music education for all – will never be achieved.

From the Editor

Tricia Tunstall

11-01-2018

More than the sum of our parts. We tell our students that’s what an orchestra is. Violins plus clarinets, trombones plus marimbas plus cellos—all those disparate musical essences combined create something that is unimaginable when hearing each of them separately. The whole is of a different order.

The One American in SEYO

Dilon Bryan, Graduate Student in Horn Performance, University of Georgia

11-01-2018

Last August, I had the good fortune to be the only U.S. musician in the Sistema Europe Youth Orchestra. SEYO generously offered me that opportunity because I was born in Birmingham, England – the site of the “SEYO 18” Festival – and was back visiting the city after living in the States for 14 years.

From the Editor

Tricia Tunstall

10-01-2018

Do you think of yourself as a teaching artist? Many teachers in the global Sistema use that term to describe what they do. Sometimes, though, there can be a lack of clarity about what it means – and a lack of awareness that there is, in fact, a powerful and growing global movement for Teaching Artistry, just as there is for El Sistema.

Take A Stand Junior Strings

Jeffrey Grogan, Director of Orchestral Activities, Oklahoma City University, and Soo Han, Director of Orchestral Studies, Baldwin Wallace Conservatory

10-01-2018

The creation of the forty-member Junior String Ensemble for this year’s Take a Stand Festival was a new step for the TAS Festival – and its success was beyond all expectations. The student musicians came wonderfully prepared. Our curriculum for them went beyond learning the concert repertoire to include leadership skills, chamber music skills, and interaction with a living composer.

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