Construcción Comunitaria

 
El Ensemble busca conectar e informar a todas las personas que están comprometidas con la educación musical de conjunto para el empoderamiento de los jóvenes y el cambio social.

Free Resources from a Major Music School

07-08-2026

Berklee College of Music is offering ten free digital handbooks covering music theory, songwriting, music business, and more.

U.S. Programs Are Approaching ‘The Middle’ of Their Movement. Now What?

07-08-2026

There are seasons in any movement. The beginning, that electric moment when a new idea catches fire, is unforgettable. So is the end, when a movement gains a permanent foothold in society. But the middle—the developing stage—is different. The middle is where the path is no longer clear, where the just cause and the strategies for seeing it through are both tested. It’s my impression that, in many places of the world, El Sistema-inspired programs find themselves in that adolescent stage.

These growing years are critical to our future as a movement—just as the adolescent years are critical to our students’ growth. Here are a few discoveries being made by U.S. programs I’m familiar with, shared with the hope that they resonate with programs around the world.

Reclaiming Music Silenced by the Nazi Regime

07-08-2026

The contemporary classical music organization Donemus has a leading role in the Forbidden Music Regained project, which is “dedicated to rediscovering and reviving the musical works of composers whose voices were silenced during the Nazi regime.”

Virtual Town Hall Series Explores Creative Youth Development and Workforce Development

07-08-2026

The Creative Economy Pathways Virtual Town Hall Series explores how Creative Youth Development is expanding career pathways for young people through arts-based experiences and youth leadership.

Building a Culture of Artivism Across Europe

07-08-2026

Like many organizations across Europe, El Sistema Greece draws part of its support from European Union programs. While our work has always focused on music and social change, we’ve recently partnered with organizations beyond the music sector to explore something broader: “artivism” across different art forms. This collaboration led to the launch of a new project, co-funded with the EU and dedicated to empowering young people, especially those with fewer opportunities.

EDITORIAL
Snapshots of the Work Tell the Story of Our Impact

07-08-2026

Every other week this season, I wrote updates to my Los Angeles Philharmonic colleagues—a small, internal note meant to keep our broader institution abreast of what the Learning Department was up to. On the surface, it could be viewed as mundane: a calendar snapshot, a few highlights, the ever-important statistics everyone needs. But as I scrolled back through nine months of messages, I realized the depth they carry. These were not only stories about music lessons, concerts, and special events. They were testaments to the impact of connection built across programs, networks, and industries.

A Virtual Community for Those Working in Conflict Situations

07-08-2026

Impact Arts has launched Home of Hope, an international WhatsApp community with thematic-interest groups that connects artists, cultural workers, researchers, community leaders, and peacebuilders who work in situations of conflict and complex societal challenges.

Suggested Reading: The Heart of Teacher-Student Relationship

07-08-2026

The student-teacher relationship in classical music conservatories is unlike almost any other.

Grants for Underserved Communities Across the Globe

07-08-2026

The Million Dollar Round Table (MDRT) Foundation’s Global Grants Program funds a diverse range of charitable projects benefiting underserved communities, and especially young people, worldwide.

In Overlooked Spaces, Art and Dignity Flourish

07-08-2026

In the winter of 2013, Project: Music Heals Us Founder Molly Carr shattered a glass bowl into her left hand on the eve of her concert tour, halting her performing career. In the months that followed, she enrolled in a nursing aide course through the American Red Cross and was assigned to work with Ruth, a late-stage Alzheimer’s patient who, staff warned her, hadn’t spoken in years. The advice she received was practical: get in, get the job done, harden yourself to the screams, and get out.

She knew that the care and attention all people need required something more. So she sat down, held Ruth’s hand in silence, and Ruth, the woman who had not spoken in years, turned and began speaking in complete sentences.

Molly came back every day of that residency. On the last day, she promised Ruth that she would return, and bring her viola next time.

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