Student Voice & Leadership

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Early-childhood Music Program for Families with Infants

11-04-2020

Big Note, Little Note is a new early-childhood music program for families with infants. Designed by Carnegie Hall’s Weill Music Institute in partnership with local community centers and organizations, the new ten-week music class offers a range of experiences for families to engage with their babies through musical play, singing, songwriting, instrument exploration, and more. The program is offered free to families around the world to support family well-being, early child development, and parent-child connection.

Applications Open for Carnegie Hall’s National Youth Ensembles

11-04-2020

Applications are now open for Carnegie Hall’s National Youth Ensembles. Please let your most promising students know about NYO2, a free orchestra program of intensive training and performance opportunities with a track record of recruiting musicians from communities underrepresented in classical music. The National Youth Orchestra of the United States (NYO-USA) deadline is November 12 ; the NYO2 application is due December 1; and NYO Jazz is due by January 21. All are free and led by distinguished artists.

Ceding the Floor to Young People in Crisis Times

Francis Gagliardi, Teacher, Facilitator, and Content Design, Young Leaders Program, El Sistema Greece

10-07-2020

Have you ever wondered what the future will be like? Will future leaders be more aware and empathetic? At El Sistema Greece (ESG), such questions never cease to concern us. How do we help our young people become the leaders they’re capable of being?

Ambassadors Updates, October 2020

10-07-2020

This month, the Ambassadors decided to take a break from reporting about their programs to share stories about the places they call home. Watch our five-minute compilation video of experiences and from around the world!

Brazil to the Silk Road, Handmade Drums to Pro Tools: How two youth music organizations in the UK are maintaining engagement and exploring new territory

Matthew Jones, England

09-02-2020

With the continuation of lockdown halting all live music activity, orchestras and ensembles are becoming more and more accustomed to this new ‘Zoom’ reality. In this article, I mention two recent online musical events I’ve been involved with, specifically the National Orchestra For All’s (NOFA) Online Summer Course and Jubacana’s Summer School. I also contribute my own observations about each occasion given that both events were the first of their kind for the respective organizations.

Ghetto Classics Update

Stephen Ongoma, Kenya

09-02-2020

It has been such a hard time for the art industry to be running its usual activities all over the world since the coronavirus outbreak.

Quarantunes Playlist from The Ambassadors

Axielle Miel, Ambassadors Program Leader, Philippines

09-02-2020

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Bugandan Traditions – Amagunjju

Mary Nakacwa, Uganda

09-02-2020

Once upon a time, a king of Buganda died. When his heir was born, the baby’s uncle Gunjju created a dance to keep the young monarch constantly happy, as a crying king is said to bring bad luck. Today, the dance, now called the amagunjju, is performed on various occasions such as weddings, birthday parties, introduction ceremonies, and many others.

Collective Conservatory and The Harmony Project

Pedro Ramos, California, USA

09-02-2020

This year, despite the ongoing pandemic, students at the Harmony Project exercised their creativity while participating with the Collective Conservatory, an organization that offers immersive and meaningful musical-making experiences for communities to improve youth-development, restorative practices, and wellness.

Student Voices Take the Lead during YOLA National at Home

Tricia Tunstall, Executive Editor, The Ensemble Newsletters

09-01-2020

For close to a decade, the month of July has meant national Sistema gatherings hosted by the Los Angeles Philharmonic, and this year was no different—except that it was extremely different, because it was all virtual: YOLA National at Home.

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