Student Voice & Leadership

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Radical Inclusion and Friendship in Arohanui Strings

Alison Eldredge, Director, Arohanui Strings, (Sistema Hutt Valley/ Wellington, New Zealand)

04-02-2020

I moved to New Zealand in 2010, when my husband began a job with the NZ Symphony Orchestra. After years of playing violin professionally, Suzuki and Waldorf/Steiner teaching, and raising our two daughters, I found myself for the first time in decades with time and space to contemplate going in a new direction.

Guest Perspective

Liam Barnstead, student, Soundscapes; Brayden Hamilton, student, OrchKids

03-03-2020

Two students who attended the El Sistema Seminario 2020, in Durham, NC last month, share their experiences at this super-gathering of student musicians from across North Carolina and the Southeast.

U.S.A. National Sistema Orchestra Members Visit the Barbican

Gerdlie Jean Louis, student, Kids4Harmony | 18 Degrees, in Pittsfield, MA, U.S.A.

02-05-2020

Since last July, I have had the distinct pleasure of participating in the inaugural cohort of the YOLA National Institute (YNI). YNI, an initiative launched last year by the Los Angeles Philharmonic Orchestra, is an in-depth training program for young musicians interested in pursuing a career in the field of music. It consists of selected members of the YOLA National Symphony Orchestra, an audition-only ensemble that is the first nationwide El Sistema orchestra in the United States and that performs every summer at the YOLA National Festival.

Harmonizing Across Many Languages

Ken MacLeod, President of New Brunswick Youth Orchestra & Founder of Sistema NB

02-04-2020

At Sistema New Brunswick (NB) on Canada’s east coast, we’ve recently faced a unique challenge with broad implications: How best to integrate students of disparate languages into one program? What began in 2009 with one centre and 50 children has grown to over 1,200 children daily, in ten locations, all learning and playing orchestral music. Until September 2019, however, all of these students worked in their own districts, using their own languages.

It (Still) Takes a Village

Krystle Ford, Metropolitan Youth Orchestra, Indianapolis, IN

01-07-2020

What does it mean to teach with a village mentality? This is what we do every day at the Metropolitan Youth Orchestra (MYO). Families learning alongside one another is at the core of our program.

Mourning and Honoring a Student Leader

Hermes Camacho, Program Manager, Austin Soundwaves, Austin, TX

01-07-2020

The hours, days, and weeks following the death of Draylen Mason at the hands of a serial bomber in March of 2018 are difficult to look back upon. To lose any student is indescribably tragic, but losing Dray was a deep and personal anguish to all of us at Austin Soundwaves (ASW); he was, and continues to be, the heart and soul of our El Sistema-inspired program. In mourning, we learned how much we at ASW depend on our students, sometimes leaning on them just as much as (or more than) they lean on us. Their strength was remarkable during that time, and the energy that typically fuels teenage intransigence was instead diverted two-fold into leading music-making and creating remembrances for Dray. We grieved and didn’t simply move on. And though it would have been easy to focus on the perniciousness of the circumstances, we felt a grave and humbling responsibility to persist in recognizing and commemorating Draylen’s growing legacy.

Sistema as School: WHIN’s Ways of Being

Charles Ortiz, Executive Director, WHIN Music Community Charter School

12-03-2019

As the world has seen El Sistema stretch far beyond the barrios of Venezuela, musicians, educators and citizen artists around the globe have been experimenting with how to use the principles and ideologies of Maestro Abreu in new and exciting ways. In northern Manhattan, that experiment takes the form of the WHIN (Washington Heights & Inwood) Music Community Charter School, an inclusive full-day charter founded on the principles of El Sistema.

Aesthetic Perspectives from a Musical Viewpoint

Chloë Kline, Community MusicWorks; Education Director and Resident Musician

10-01-2019

The concept of art as an act of revolution – as a means to foment change, spur consciousness, and imagine new realities – is as old as art itself. For example, drums would sound to unseen others, and cave images explored individuals’ relationships to known and unknown animal species.

The Ambassadors’ Exchange, July 2019

07-02-2019

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Collective Composition

Cecille Elliott, Director of Creative Play, BRAVO Youth Orchestras, Portland, OR

02-01-2019

At BRAVO Youth Orchestras, there are ongoing conversations about the impact of introducing collective composition–composing together as a group–often focusing on how it impacts the staff, our students, and our community, and on what it means to facilitate and support a collective musical voice. There’s an active effort to establish equitable practices that reinforce a supportive environment for BRAVO students during creative projects. BRAVO’s central goal is student empowerment to discover what it is they want to say through their music.

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