Perspectives & Collective Action

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Fostering Environmental Stewardship in Sistema Programs

Keane Southard, Composer and Pianist

11-02-2019

One of our core tenets in the El Sistema movement is that great music education can be more than training on an instrument—it can create better citizens who contribute positively in all aspects of our world. We teach our students to take care of their instruments, the facilities they use, and their classmates and communities.

Partnering with Parents

Carolyn Sybesma, The People’s Music School, Director of Artistic Planning & Partnerships

11-02-2019

The People’s Music School (TPMS) is the first 100% free music school of its kind in the country. Founded in 1976 by Rita Simo, an immigrant from the Dominican Republic, our school has grown into a strong community movement. We serve 1,000 students ages 5-18 through programs in the four corners of Chicago: Uptown, Albany Park, Back of the Yards and Bronzeville.

Celebrating African Diasporic Culture With Castle of our Skins

Ashleigh Gordon, Artistic and Executive Director, Castle of our Skins

09-02-2019
The African American poet, activist, and educator Nikki Giovanni begins her “Poem for Nina” with the following lines: we are all imprisoned in the castle of our skins/ and some of us have said so be it/ if i am in jail my castle shall become/ my rendezvous

Yo-Yo Ma’s Bach Project Meets The Network of Music Schools of Medellin

Claudia García, former La Red Teaching Artist and Coordinator of La Red activities at the Day of Action (Bach Project)

09-02-2019

It is not a secret to anyone that Medellin, Colombia had a number of violent years that left a trail of pain, death, and corruption. In the early ’90s, Medellin was named the most violent city in the world. More than 25 years later, Medellin´s face has changed; now it is a global example of innovation and development, and culture has played an important role in this social change. 

Principles of Scale for Growing a Sistema System

Dalouge Smith, CEO of The Lewis Prize for Music

09-01-2019

In the early days of the U.S. El Sistema movement, Maestro Abreu regularly spoke at national conferences. Often during these events, he would state, “El Sistema is not a system.” Yet we all marvelled at the interconnected structure of neighborhood núcleos, regional seminarios, state youth orchestras, and the multiple levels of youth orchestras based at Caracas’s national conservatory.

Music Education and Sustainable Development Goals—An Inquiry

Ulrike Gelbmann, Senior Post-Doc, Global Studies Master’s Program, University of Graz, Austria

06-02-2019

Sustainable development is development that takes into account the world‘s present and future needs from a mostly social and environmental, but also economic, point of view. Recently, scientific as well as economic and political institutions have been using the so-called UN sustainable development goals  (SDGs) to plan, implement, and evaluate sustainability-related  action. The formulation of 17 goals and 169 ojectives is the first comprehensive international attempt to tackle poverty, health and educational issues, peace, and environmental problems.

Sistema Parenting

Yubelly Erika Vasquez

05-01-2019

Since kindergarden, my daughters Geanelly and Haley have attended the Paterson Music Project (PMP). Geanelly plays the viola and Haley plays violin. At first, it was hard for both of my girls to get comfortable with their instruments. For me, the hardest thing to get used to was the extra time I needed to support my daughters in the program—taking them, picking them up, coming to concerts, etc.

The Global Challenge

Aristedes Rivas, Cellist and Strings Specialist

06-01-2018

When I was 12 years old, I was invited to join the Los Llanos Symphony Orchestra in Guanare, Venezuela. I was the youngest of a group of children who joined the orchestra that year. The first rehearsal was of Tchaikovsky’s 4th Symphony. I have never in my life felt more lost than I did in that rehearsal. Three years later, I became co-principal cellist of this orchestra, along with my former teacher.

Get Comfortable……Being Uncomfortable

Calida N. Jones, Co-Founder & Artistic Director, Bravo Waterbury!

02-01-2018

What a great opportunity it was to be together with over 100 leaders, teachers, students, and curious individuals this past weekend at the El Sistema USA first-ever symposium. You could feel the excitement, energy, and buzz around Duke University as we took over the Nelson Music Room with live performances, slideshows, and plenary presentations. I believe some of our plenaries really gave space for people to think, reflect, and then hopefully plan a course of action.

Arranging to Play Bernstein’s “Somewhere”

Jamie Bernstein, writer and narrator

01-01-2018

How I wish that my father, Leonard Bernstein, had lived long enough to witness El Sistema. If he had, he would surely have been its most fervent champion. He’d have loved the way this multinational movement combines two of his strongest lifelong commitments: sharing the joy of music with young people, and striving to make the world a more just and peaceful place.

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