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“No Matter What, We’re Going to Do a Camp”: Side by Side Goes Digital

Patrick Scafidi, Managing Editor of The Ensemble Newsletters, in conversation with Terese Mörtvik, Communicator, Side by Side, Sweden

06-01-2020

When El Sistema Sweden and the Gothenburg Symphony Orchestra (GSO) began accepting applications for the annual Side by Side by El Sistema international youth music and choir camp, taking place from June 13–16 this year, the coronavirus pandemic had yet to stop the world in its tracks. Applications poured in that first day—roughly 1,000 of them, despite the website shutting down for a few hours due to server issues. That number doubled shortly thereafter as applications continued to pour in from across the world.

Unlearning Musical Bias

Kit Young, Cofounder/Director, Gitameit Music Institute

06-01-2020

During an interview with Creative Generation in March of this year, Sebastian Ruth reminded us that “the core work needs to be within each of us…we always need to be investigating our own assumptions, biases, and motivations to be sure that our work is truly in service of people and their needs.”

Editorial: Pivoting in Response to Community Need

Jason Steinberg, Executive Director, International Sports and Music Project

06-01-2020

COVID-19 is creating unprecedented challenges all over the world. As nonprofit leaders, we must decide how to continue having a meaningful impact while bolstering our organizations to last through COVID-19 and beyond.

Finding Joy and Connection through Music

05-19-2020

Engagement, a key component in successful learning, can be elusive in distance-learning contexts. This recent article, part of an EdSurge research series, cites several studies in offering methods designed to increase or maintain the three primary components of engagement—behavioral, cognitive, and emotional.

The Power of the Arrangement

Emma Oliver-Trend, Artistic Associate and Arranger-in-Residence, Orchestras for All

05-04-2020

I write as ‘Arranger-in-Residence’ for Orchestras for All—a U.K. music education charity that strives to remove the barriers that young people face in ensemble music-making by providing inclusive and accessible orchestral experiences in and out of school. We have three national programs; a 100-piece orchestra (National Orchestra for All, NOFA), a 30–40 school kick-start ensemble program (Modulo), and a professional development program in Ensemble Leadership (Conductors for Change).

OrKidstra’s Youth Group Gives Students Space to Be Themselves

Andrew Gesing, Program Coordinator, OrKidstra, Ottawa, Canada

05-04-2020

“From pizza parties and Frisbee games to movie-watching and intense card matches, Fridays have been something to look even more forward to!” For Noah Linson-Hudson and almost 30 other OrKidstra students, Friday night Chamber Music and Youth Group has been the highlight of the week.

Bringing the Joy of Music to Children of Johannesburg

Adeyemi Oladiran, Founder and Executive Director, Music Enlightenment Project, Johannesburg, South Africa

05-04-2020

The Music Enlightenment Project (MEP) is a community-based initiative in the heart of Braamfontein, Johannesburg, with the vision of a world where the lives of all children are transformed and enriched through music education.

The Pizzicato Effect

Sylvia Hosking, Schools Program Manager for Learning, Engagement & Innovation, Melbourne Symphony Orchestra

05-04-2020

The Pizzicato Effect, the flagship community music program of the Melbourne Symphony Orchestra (MSO) in Melbourne, Australia, was inspired by El Sistema Venezuela. Affectionately known as “Pizzi” to its community, the program takes its name from The Butterfly Effect, a book by Andy Andrews whose central idea is that one small change can move mountains. For our students, the one “small” change of attending Pizzicato can change the course of their lives.

Orquesta Juvenil de Curanilahue: Reflecting on the 25-year History of One of Chile’s First Youth Orchestras

Jessica Tufte, Hazel Ross, and Caroline Campos, Global Leaders Program 2020

05-04-2020

When you arrive in Curanilahue, Chile, one of the first things you see is a large statue of an upright wooden hand. The smaller replicas available for purchase in town read, “Tengo las manos ásperas pero hay pan en mi mesa,” which roughly  translates to: “Though our hands are worn, there is bread on the table.” This blue-collar mantra embodies the economy, culture, and subconscious of the region. From an outsider’s perspective, people are humble and work hard when given the opportunity. Small sheet-metal houses line the streets, and nothing really stands out.

Ambassador Updates, May 2020

05-04-2020

Quarantine and lockdown, now familiar to all of us, have prevented in-person school and lessons for the last month. While this social distancing means that fewer people can be infected, it also means an indefinite pause to learning for many.

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