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“Future Farming”: A Case for Investing in Top Talent

Jennifer Stumm, concert violist and Founder/Director of Ilumina Brasil

06-01-2020

Ilumina is a musical social equity project, chamber music festival, and touring ensemble based in São Paulo, Brazil. Our talent development model is to invest deep, not wide. Each year, we select 25 young South American musicians with extraordinary potential, ages 18-26, using an extremely selective YouTube audition and written application. Our hypothesis (we call it “future farming”) is that deep investment and extraordinary access for potential leaders will sow the seeds for exponential transformation and good teaching down the social and educational pyramid.

Musicians Without Borders: Rwanda Youth Music

Chris Nicholson, Program Development Manager, Musicians Without Borders

06-01-2020

Those conditions of safety, inclusion, creativity, equality, and quality guide Musicians Without Borders’ methodology for facilitating music-making. Musicians Without Borders uses the power of music for social change and peacebuilding, working in communities around the world affected by war and armed conflict.

Embracing the Unexpected

Daniel Trahey, Founder/Director, Collective Conservatory & OrchKids, Baltimore, MD

05-05-2020

It’s built into our DNA to think, plan, and act towards the future. Your brain is wired to do amazing things, right at this moment.

Atlanta Music Project: Music of the African Diaspora

Aisha Moody, Cofounder and Chief Program Officer, Atlanta Music Project, GA

05-05-2020

In February of this year, the Atlanta Music Project presented a monthlong concert series celebrating music of the African Diaspora. The Music of the African Diaspora Concert Series garnered much attention and welcomed larger audiences than most AMP events. Its success led us to make the series an annual event, not only due to our supporters’ positive response but also because of its impact on our young musicians during and leading up to the concerts.

OrKidstra’s Youth Group Gives Students Space to Be Themselves

Andrew Gesing, Program Coordinator, OrKidstra, Ottawa, Canada

05-04-2020

“From pizza parties and Frisbee games to movie-watching and intense card matches, Fridays have been something to look even more forward to!” For Noah Linson-Hudson and almost 30 other OrKidstra students, Friday night Chamber Music and Youth Group has been the highlight of the week.

Bringing the Joy of Music to Children of Johannesburg

Adeyemi Oladiran, Founder and Executive Director, Music Enlightenment Project, Johannesburg, South Africa

05-04-2020

The Music Enlightenment Project (MEP) is a community-based initiative in the heart of Braamfontein, Johannesburg, with the vision of a world where the lives of all children are transformed and enriched through music education.

Online Learning In Denver Deepens Relationships

El Sistema Colorado Staff and Teaching Artists

04-07-2020

As words like pandemic, quarantine, and social distancing enter our daily vocabulary, El Sistema–inspired programs everywhere are asking the same question: How do we continue making music in the midst of COVID-19? El Sistema Colorado, like so many other organizations, went online.

Crossing Borders: A Musical Passport to the World

Seth Truby, Executive Director and Co-founder, BRAVO Youth Orchestras, Portland, OR

04-07-2020

Each spring, the students of BRAVO Youth Orchestras in Portland, Oregon take the stage alongside professional musicians with international backgrounds in a celebration of the world of music called Crossing Borders. BRAVO’s young musicians have played jigs from Ireland, lullabies from Morocco, bossa novas from Brazil, Latin pop from Mexico, a French-Canadian fiddle concerto, and so much more. Their professional collaborators have included jazz pianist Darrell Grant, electric looping violinist Joe Kye, Trinidadian neo-soul singer Blossom, and world-renowned Irish fiddler Kevin Burke, among others. Crossing Borders is a highlight of BRAVO’s program year and also serves as our primary fundraising event, generating needed revenue to support our rigorous after-school music programs in priority schools. Our audiences are delighted to see a full student orchestra (strings, winds, and percussion) playing music from so many traditions alongside their professional musical partners.

The Archipelago Project

Armand Hall, Director of Education, Archipelago Project & Executive/Artistic Director, ROCmusic Collaborative; Daniel Trahey, Executive Director, Archipelago Project & Artistic Director, OrchKids

04-07-2020

The Archipelago Project’s objective is to empower student creativity and ownership by supplying musical knowledge, performance opportunities, and professional models to inspire the next generation of engaged musicians. For the past 15 years, Archipelago Project’s iterative process in curriculum design has resulted in our Musical Leadership Academy, a summer music camp focused on providing a diverse population of students and teaching artists with opportunities to create music together, learn when to lead and to listen, and thrive in the ensemble as a metaphor for community.

Early Years Music in Sistema Scotland

Jen Nicholson, Curriculum Leader Early Years, Sistema Scotland

04-02-2020

Winnicott’s famous quote captures the importance of relationship to every individual. He expands to describe the dependency of children on their caregivers not only for basic needs, but also for emotional “holding.”

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