Featured

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
The Ensemble Newsletter

Regions

Africa

Asia/Oceania

Europe

Latin America

North America

Topics

Teaching & Learning

Program Design

Student Voice & Leadership

Community Building

Collaborations

Funding & Support

Perspectives & Collective Action

News & Resources

Superar Celebrates Ten Years of International Music-Making

Andy Icochea, Music Director, Superar International

07-01-2020

What can we do to exert a positive impact on society?

That was the question asked in 2009 by our three founding organizations in Vienna—the Vienna Boys Choir, the Vienna Konzerthaus, and Caritas of the Archdiocese of Vienna. The response was to envision a place where music would be the joining element, the core engine to reach equal opportunity, and the key to reenergizing what is most essential in society: justice, personal realization, and solidarity.

Sangeet4All: Celebrating Multiple Musical Cultures

Saskia Rao-de Hass, creator of the Indian cello; Founder of Sangeet4All, India’s music curriculum for young learners

07-01-2020

Sangeet4All is a music education program that connects children in India with Indian classical and folk music in a fun and meaningful way. I started the program with my husband, Shubhendra Rao, in 2014; our first students were 15 girls in one of the poorest neighborhoods of Delhi. The Sangeet4All program now runs in 18 schools in the regions of NCR, Gujarat, and Punjab.

Positive Fatalism and Social Music Projects in Kinshasa, DR Congo

Lukas Pairon, Founder of Music Fund; Founder/Director of SIMM: Social Impact of Making Music

07-01-2020

In Kinshasa, the majority of the population, which is close to 10 million, subsists on less than 2 USD a day—and this is in a place where life, at best, is expensive. Many people live in excruciating poverty. They exist in survival mode. Disease, hunger, and death are omnipresent. There is little prospect of improvement; on the contrary, the standard of living appears to be worsening for millions of people in Kinshasa. On top of the struggle to survive, they must also reckon with politicians, police, and soldiers, who may harass or rob them, or worse.

Prioritizing Families in NEOJIBA’s Virtual Programming

Olgair Marques, Coordinator of the Social Development Sector of NEOJIBA

07-01-2020

NEOJIBA is a public El Sistema-inspired program in Brazil, founded by Ricardo Castro in 2007 and implemented by the State of Bahia through the Secretariat of Justice, Human Rights, and Social Development (Secretaria de Justiça, Direitos Humanos e Desenvolvimento Social). One of our most critical components is the Social Development Sector, which is composed of eight professionals with educational backgrounds in social work and psychology. These professionals work daily to ameliorate socioeconomic and educational inequalities that confront many of our students, and to provide full access to social rights. They also provide individual and/or group psychosocial appointments for students and their families. Through attentive and qualified listening, our professionals enable families to work through social circumstances and establish intervention strategies. These unfold in a set of actions, tailored to each individual or family, that help participants work through their specific issues.

Showing Up in Crisis Times

Christopher Schroeder, Executive Director, Boston Music Project (Formerly Josiah Quincy Orchestra Program), Boston, MA

06-02-2020

The COVID-19 pandemic has challenged our communities in unimaginable ways. It has exposed great inequities in our society, tested the financial stability of our organizations, and forced programs to rapidly explore new methods of connectivity, storytelling, and fundraising. On the other hand, it has also offered opportunities for programs to demonstrate their resilience. As many educators say, it’s better to show than tell. Right now, our students are watching how we show up for them in times of crisis.

Sharing Our Work during COVID-19

Robert Saunders, Music Education Director, Miami Music Project, FL

06-02-2020

As learning programs of every kind and in every part of the world find ways to respond to the global health crisis, El Sistema-inspired programs are doing what we encourage our students to do: we are learning from one another. At Miami Music Project, we quickly reached out to El Sistema USA about creating resources for other El Sistema-inspired programs. We were excited to learn that Monique Van Willingh, Director of the Masters of Arts in Teaching (MAT) program at Longy School of Music at Bard College, was already working to develop a webinar series with the goal of sharing field experiences and best practices of organizations that are successfully transitioning to digital programming. Since summer camp activities are the immediate concern for many El Sistema-inspired programs around North America, El Sistema USA President Katie Wyatt reached out to several program leaders to begin sharing their experiences and innovations in this area.

The Amani Project Partners with U.S. El Sistema Teachers-in-Training

Akhail Gopal and Ziyad Marcus, students in the MAT Program of Longy School of Music of Bard College

06-01-2020

As students in Longy School of Music’s El Sistema-inspired Masters of Arts in Teaching program, we have recently partnered with the Amani Project, a global nonprofit that uses music to serve youth in Sri Lanka, South Africa, Colombia, India, and many more countries around the world. We have found this collaboration to be a crucial reminder of perhaps the most important part of the El Sistema philosophy: social change. While technical excellence is prioritized in standard music pedagogy, El Sistema pushes us to bring musical competency and social justice into convergence. However, despite being in an El Sistema-inspired program, as music teachers we sometimes lose sight of ideals beyond music for music’s sake.

“Future Farming”: A Case for Investing in Top Talent

Jennifer Stumm, concert violist and Founder/Director of Ilumina Brasil

06-01-2020

Ilumina is a musical social equity project, chamber music festival, and touring ensemble based in São Paulo, Brazil. Our talent development model is to invest deep, not wide. Each year, we select 25 young South American musicians with extraordinary potential, ages 18-26, using an extremely selective YouTube audition and written application. Our hypothesis (we call it “future farming”) is that deep investment and extraordinary access for potential leaders will sow the seeds for exponential transformation and good teaching down the social and educational pyramid.

Musicians Without Borders: Rwanda Youth Music

Chris Nicholson, Program Development Manager, Musicians Without Borders

06-01-2020

Those conditions of safety, inclusion, creativity, equality, and quality guide Musicians Without Borders’ methodology for facilitating music-making. Musicians Without Borders uses the power of music for social change and peacebuilding, working in communities around the world affected by war and armed conflict.

Embracing the Unexpected

Daniel Trahey, Founder/Director, Collective Conservatory & OrchKids, Baltimore, MD

05-05-2020

It’s built into our DNA to think, plan, and act towards the future. Your brain is wired to do amazing things, right at this moment.

Share

ABOUT US MASTHEAD THE AMBASSADORS THE ARCHIVES SUBSCRIBE CONTACT
© Copyright 2022 Ensemble News