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One of the most memorable experiences from my time in Vanimo was helping the students prepare music for a truly special occasion: the visit, last August, of Pope Francis. With only three weeks to prepare, the students were able to put together both a fully recorded concert for the Holy Father and a few live pieces for his visit to the IVE Fathers in Baro.

At events like these, it’s easy to think about the word “community” as the people in the room. But El Sistema USA’s nifty trick was to upend that idea. Rather than celebrate our professional community—the connections we form with colleagues—the ESUSA leadership team explored the ties that bind us to larger, more diverse communities—of families, of activists, of scientists, of lawmakers, and of the folks that lawmakers tend to ignore.

When trying to renew an initiative that has existed for almost a decade, our great challenge is to find that precise balance between valuing tradition and proposing something new. At NEOJIBA State Nuclei for Youth and Children’s Orchestras of Bahia, this balance is fundamental to our continuous search for improvement—praising what already works, recognizing what can be improved, and having the tranquility to suggest something innovative without losing the essence of an idea.

It was in this spirit that in 2023, on a sunny afternoon during Bahia’s “eternal summer,” we began to redesign PROCEC, our collective teacher training program.

For many organizations outside of our shared community, leadership is viewed as a title or formal role—something to aspire to professionally. When it comes to youth empowerment, though, it means a bit more. We see it in the everyday actions, habits, and mindsets that empower individuals to make a difference. Leadership, for us, is about inspiring others simply by living your values.

At Enabling Leadership (EL), we strive to support young people as they find their way toward those actions and values.

Few would disagree that imagining and constructing something good for humanity, in a place where vast harm has been done, is a creative act. Therefore, the completion of The Ensemble House in Srebrenica, Bosnia and Herzegovina can be seen as one of the world’s great creative triumphs in recent years.

The world enjoys Maori culture through its vivid kapa haka (performances of song, dance, and chant) and the famous haka displayed at All Blacks rugby games. There are no piupiu, poi, or taiaha (traditional garments, food, or weapons) at Sistema Whangarei–Toi Akorangi, in New Zealand’s far north, and yet Maori principles are quietly, seamlessly woven through the fabric of our program. They create the foundations for endless possibility.

When I learned that the organization Equity Arc was presenting a wind symphony concert and learning intensive that brought together under-represented youth musicians and the USMB, I was ecstatic. This was a chance to stand beside my idols, the individuals I’d looked up to since first discovering them. I prepared like never before. And, eventually, the hard work paid off: I was selected. It felt surreal; finally, a chance to perform with my heroes, my mentors, my friends.

The excitement grew for weeks…until February 24, when I received a dreadful email that stated: “In accordance with recent Executive Orders impacting DEI-related programming for federal agencies, the Marine Band has been instructed to cancel our collaboration.”

It’s 3:30 on a Wednesday afternoon at the Neutral Zone, a creative arts and leadership center for teenagers in downtown Ann Arbor, Michigan. Twenty-four young people and six staff gather in a circle of chairs in the B-Side Venue (a multi-purpose program space that also serves as a 400-person concert venue). As a disco ball glimmers overhead, Ash, a teen participant and high school sophomore, volunteers with an opening question: “What did you like to do at recess when you were a kid in school?”

When I received the news that, through an exchange program, I could spend four months at Zumix (a creative youth development program in Boston, Massachusetts, USA), I checked their website. I read the phrase “Powered by Youth” and thought, “Sure, it sounds good, but it’s probably just a catchy motto.”

But when I arrived in Boston and attended my first Zumix event, a Sunday evening concert at a local park, I realized those words were true.

Music has the power to transform lives, strengthen communities, and challenge the systems that shape them—but what does that transformative process actually look like? For the past five years, The Lewis Prize for Music (TLPM) has been addressing this question by supporting organizations that harness music’s power to uplift and empower young people.