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AIM’s Music Capsules Offer Snapshots of How We Learn

Fiona Cunningham, Director, Academy for Impact through Music (AIM)

06-07-2023

If you’re a teaching artist, or have ever been one, you’ve probably wondered: Should I always take the lead in the learning process? Are there ways students can take the lead sometimes? What’s the best way for my students to learn?

Such questions are often the focus of “The Firebird Fellowship,” the program at the heart of the Academy for Impact through Music (AIM), a global innovation lab for changemakers tackling educational inequality through music education.

Song, Steel, and Social Impact in Trinidad and Tobago

Dr. Leah Brown, Artistic Director and Interim Musical Director, The Lydians

06-07-2023

From Puccini’s Turandot to the Congolese-inspired Missa Luba, from pulsating calypso arrangements to Handel’s “Hallelujah Chorus” performed to the rhythm of East Indian tassa drums, The Lydians organization has always sought to expand its participants’ sense of what’s possible.

The Ambassadors’ Exchange: In Our Own Voices

06-07-2023

To complement the “Ambassador (Re)Introductions” published in April, the cohort recorded video introductions for the month of June. Listen to the Ambassadors as they say hello in their native languages, from every corner of the globe.

From Music Rooms to Policy Meetings: Taking Lessons from a Life in Music

Axelle Miel, former Cohort Leader, Ensemble Ambassadors

06-07-2023

In my first Ensemble editorial, I wrote about how opportunities within classical music allowed me to bypass barriers caused by economic inequality in the Philippines. But this unequal distribution of resources still bothers me today, which is why I’m studying political science and hoping to go into policy research after graduation.

With just one year to go at college, I’ve been reflecting on the ways my musical training has influenced how I approach the social sciences. 

Hope at the Southern Shores: Making Rainbows in the Time of Covid

Denay Maberry, Cofounder, The Rainbow Academy

06-07-2023

According to 2020 UNESCO report on education, more than 1.5 billion learners across the globe were unable to attend school because of the COVID-19 pandemic and its resulting lockdowns. South Africa was not exempt; most of our young learners here lacked Internet or smartphone access, preventing them from utilizing any of the few online teaching platforms available to them. Compounding this, many arts non-profits in South Africa—all of which provide a buffet of critical social and community services—faced severe rates of closure as funding and sponsorships disappeared in every direction.

Creative Vibrancy Index for Africa

05-17-2023

Africa No Filter and the British Council have published a new resource that can benefit anyone involved in or interested in developing arts and cultural projects across Africa.

Music Mobility Funding Guide for Europe

05-17-2023

You may be familiar with On The Move—it’s one of the top hubs for artists seeking international mobility funding. Their latest publication, produced with Music Export Poland, is strictly aimed at music professionals traveling to and from Europe for arts and cultural projects.

EU4Culture Call for Proposals

05-17-2023

EU4Culture has announced a call for proposals of projects that promote intercultural cooperation and dialogue among non-capital cities across the EU4Culture Cities Network in Armenia, Azerbaijan, Georgia, the Republic of Moldova, and Ukraine.

WolfBrown Report on NYO2

05-17-2023

Researchers from WolfBrown spent six years studying Carnegie Hall’s NYO2 orchestra, a free orchestral program engaging musicians from historically underrepresented communities in classical music. Their resulting report, “With Freedom of Soul to Do and Be: A Longitudinal Study of Young Musicians in Carnegie Hall’s NYO2 Orchestra,” offers an insider’s look into what makes a youth orchestra truly inclusive.

El Sistema Returns to the United Nations to Pay Tribute to Maestro Abreu

05-17-2023

The National Children’s Symphony of Venezuela returned to Geneva this past April for a special performance at United Nations Headquarters, marking almost a decade since the visit of El Sistema founder Maestro José Antonio Abreu.

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