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The YOLA National Festival and Symposium in Los Angeles

Juliana Andreina Perez, Advisor/consultant, El Sistema in Venezuela and the United States

08-02-2019

In July, the Los Angeles Philharmonic sponsored the YOLA National Festival and Symposium, a multi-dimensional gathering for the El Sistema movement in the United States. The Festival was an intensive orchestral training program for students ages 12-18 from across the country; close to 150 young musicians came together for two weeks of immersive rehearsals, sectionals, concerts, and community-building activities. 

An American in Gothenburg

Emily Kubitskey, Teaching Artist/Conductor

08-01-2019

Often, when we think about the word ‘culture,’ we think about the qualities of a community—its shared music, food, or religion. However, the word is derived from the Latin word ‘colere,’ which means to tend or cultivate; so when we take a more active perspective, we can define culture as ‘the medium for growth.’

FROM THE EDITOR August 2019

Tricia Tunstall

08-01-2019

Dr. Bettina Love, the author and cultural philosopher whose riveting keynote speech kicked off last week’s YOLA National Symposium in Los Angeles, teaches her education students at the University of Georgia a course called “Black and Brown Excellence.”

Impressions from the YOLA National Festival

Terrence Thornhill, YOLA National Cello Faculty; Teaching Artist, Paterson Music Project

08-01-2019

The U.S. El Sistema movement came together in Los Angeles last week for the YOLA National Festival and Symposium. Two Festival ensembles of students chosen from Sistema programs across the country spent an intense week rehearsing and performing together, while the Symposium brought program leaders and teaching artists together for dialogue.

The Ambassadors’ Exchange, July 2019

07-02-2019

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A Space of Our Own: The Atlanta Music Project’s New Headquarters

Adewunmi R. Oke, Development Associate, Atlanta Music Project

07-02-2019

Nine years ago, 19 elementary schoolchildren gathered at the Gilbert House, an old house in southwest Atlanta, to begin their journey towards becoming musical artists. Over the course of the following decade, these children were joined by hundreds of others; together, they all practiced, performed, and evolved into dedicated young artists. Some students played string instruments and wind instruments, while others sang. Across the city of Atlanta, Atlanta Music Project (AMP) students have performed at both small community centers and large venues like the Mercedes-Benz Stadium.

Changing Lives; Changing Interlochen

Trey Devey, President, Interlochen Center for the Arts

07-01-2019

I first discovered Interlochen as a young child. The campus is just seven miles from my grandparents’ summer cottage, and my love of classical music was inspired by Interlochen Public Radio.

Fostering Epic Parents

Anne Campbell, Education Director, Catamount Arts/EPIC Music

07-01-2019

EPIC Music, in St. Johnsbury, VT, was one of four El Sistema-inspired organizations recently invited to partner with a team of Duke University undergraduates to explore parent engagement in El Sistema USA member organizations. Parent engagement is an important goal for us; we have talked for more than a year about offering violin workshops for parents, so that they can understand our students’ challenges and learn how to help their children practice at home.

Editorial: July 2019

Tricia Tunstall

07-01-2019

I went last week to Side By Side By El Sistema Swe- den, an intensive international music camp spon- sored by the Gothenburg Symphony Orchestra in partnership with the city and El Sistema Sweden. Let’s start with the statistics.

Announcing the launch of Music In Action Journal: A Knowledge Hub for the Frontlines of Music-For-Social-Action

Mariano Vales, Music Program Director, The Organization of American States and Mark Gillespie, Creative Director & Co-CEO, the OA Group

06-15-2019

When cultural historians reflect on the late 20th and early 21st centuries, one of the most significant paradigm shifts noted will be the explosion of music-for-social-action initiatives across the globe. Inspired by the work of pioneering figures including Jorge Peña Hen, José Antonio Abreu, Ana Milena Muñoz de Gaviria, Hilda Ochoa-Brillembourg, Ricardo Castro, and others, largely in Latin America, the centuries-old platform of the symphony orchestra has found renewed purpose at the epicenter of grassroots transformations from inner-city Port-Au-Prince to rural Canada, from Scotland to Kenya, from Jamaica to Honduras.

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