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Voices of Culture Brainstorming Report: “Youth, Mental Health, and Culture”

04-18-2023

The European Commission has set out to show how participation in arts and cultural programs positively impacts youth mental health in a recently published Brainstorming Report, “Youth, Mental Health, and Culture.”

Q&A: Jazz Hands For Autism Teacher-in-Training Tyler Roberts on Classroom Management, Confidence, and Booking Gigs

Donna Pignatiello-Iarocci, Teacher Trainer and Job Coach, Jazz Hands For Autism

04-05-2023

Downtown Los Angeles usually sees about ten inches of rain for the season. As of this writing, we’re 12 inches ahead of schedule.

Happily, the recent precipitation hasn’t dampened Tyler Roberts’ spirits. He’s got a lot to beam about: he’s the sunny spot at the center of a classroom at Kayne Eras Center in Culver City, CA, where he teaches drums to five spunky elementary students. Tyler’s smile lights up the room and his laid-back, inquisitive nature serves both him and his students well.

Let’s get to know a bit about Tyler, his gift for teaching, and what’s on his horizon.

‘Hosts in Their Own Home’: True Interculturalism at Los Cenzontles Cultural Arts Academy

Eugene Rodriguez, Founder, Los Cenzontles Cultural Arts Academy

03-01-2023

As I began my career teaching Mexican music to children, the advent of multiculturalism promised increased representation but actually delivered narrow spaces that forced us into stereotypes, akin to Taco Tuesday at the cultural center. So I began to practice interculturalism, within which we took control of our own self-definition and expression. We studied our traditions from within and created bridges to people of various cultures directly.

Because They Can: A Youth Orchestra in Canada Takes on Mahler

Katie McDermitt, Indianapolis flutist and educator; President, Board for El Sistema Indianapolis; GLP alumna

12-07-2022

Gustav Mahler’s First Symphony “Titan” is a famously formidable work. This four-movement composition by one of Austria’s greatest composers lasts almost an hour, requiring performers to have endurance as well as musical skill. Performances of Mahler 1 are generally done by professional and university-level musicians—until now. In June 2025, the musicians of the New Brunswick Youth Orchestra (NBYO), the youth orchestra of the Canadian province of New Brunswick, will embark on a summer-long tour of Canada during which they will perform Mahler’s Symphony No. 1.

Social Justice, Social Curriculum at El Sistema Aeolian

Clark Bryan, Founder and Artistic/Executive Director, The Aeolian Performing Arts Centre

03-02-2022

I was already focusing on the usual aspects of music education, like technique, music literacy, music history, and musicianship. It’s easy to fill those columns as musicians; we’re trained to do it. Much harder was encouraging teachers to fill that Social Learning column.

Save the Date: El Sistema USA Symposium & Seminario, April 28–30

02-16-2022

El Sistema USA has announced that their 2022 National Symposium and Seminario will take place virtually on April 28–30, 2022.

From Musicambia: Lessons from Teaching Music in Prisons

Nathan Schram, Founder and Artistic Director, Musicambia

01-05-2022

Teaching music in prisons is about doing the most with the resources you have. And everywhere we teach, we learn something new from our collaborating musicians; in many ways, we learn as much from our experiences as our students do. In the spirit of reflection and new beginnings, I want to share a few of the lessons that have shaped our work over the past seven years.

“We Still Have Much to Learn”: Culturally Responsive Teaching in Elsipogtog First Nation

Larry Matthews on behalf of Sistema New Brunswick

12-01-2021

When anchoring your children in their ancient Mi’kmaq culture is critical to your future, as it is in Elsipogtog First Nation in eastern New Brunswick (Canada), how do violin or cello lessons fit into their education? This question has been at the forefront for both Sistema New Brunswick and Elsipogtog community leaders for the past five years. Thankfully, through the wisdom and generosity of those community leaders, an answer has begun to emerge.

The Nonprofit Pay Problem and What We Can Do about It

Liz Moulthrop, Director, Paterson Music Project

11-03-2021

In the words of Petro Manzo’s article “The Real Salary Scandal” in the Stanford Social Innovation Review, the “psychic income” one receives from feeling good and fulfilled from their nonprofit work doesn’t pay the bills, and can have real consequences for individuals and their families. The concept of a “psychic income” connects to a longstanding narrative that nonprofits workers can’t make too much, for fear that they will profit from charity work. Dan Pallotta has discussed how harmful it is when we adopt the Puritan mindset that paying well somehow undermines our mission. Many funders perpetuate this narrative, too—limiting general operating funding and keeping strict ratios between overhead and direct program expenses. But our passion for our work shouldn’t hinder us from paying our bills.

Scenes from the YOLA National Symposium

Libby O’Neil, Executive Director, East Lake Expression Engine

11-03-2021

The work of running an El Sistema-inspired program can sometimes feel intensely lonely. But last weekend at the YOLA National Symposium in Los Angeles, this work felt rich with community—with good music, new friends, and shared experiences. The Symposium’s umbrella theme was, simply, “Change,” and participants approached that theme with joy, experimentation, challenge, and connection.

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