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Matching Grants through Classics for Kids Foundation

11-04-2020

Classics for Kids Foundation offers matching grants to K-12 schools and nonprofit organizations throughout the U.S. to help purchase high-quality stringed instruments and to build sustainable stringed instrument music programs. Grants cannot exceed 50% of total instrument cost. Requests are reviewed quarterly and the upcoming application deadline is December 31, 2020. Learn more here.

Applications Open for Carnegie Hall’s National Youth Ensembles

11-04-2020

Applications are now open for Carnegie Hall’s National Youth Ensembles. Please let your most promising students know about NYO2, a free orchestra program of intensive training and performance opportunities with a track record of recruiting musicians from communities underrepresented in classical music. The National Youth Orchestra of the United States (NYO-USA) deadline is November 12 ; the NYO2 application is due December 1; and NYO Jazz is due by January 21. All are free and led by distinguished artists.

Virtual Fair of Universities, Colleges and Music Festivals

11-04-2020

Project 440 will host its fourth annual free college fair for musicians virtually, Tuesday, November 10 – Thursday, November 12. This fair brings together representatives from universities, conservatories, colleges, and summer music festivals from across the country to connect directly with emerging youth leaders interested in music. Inclusive in this three-day event are workshops on financial aid, admission processes, different careers in music, and more. Students and adults can both register; learn more here.

The Leni Boorstin YOLA Administrative Fellowship

11-04-2020

To honor the four decades of service that Leni Boorstin has dedicated to the Los Angeles Philharmonic in shaping their community and learning programs, with a central role in launching YOLA, the L.A. Phil has created The Leni Boorstin YOLA Administrative Fellowship. This is a paid annual fellowship for two young people, to provide YOLA graduates an even greater role in shaping its future. Working alongside staff members at the new Beckman YOLA Center at Inglewood, they will contribute to the learning programs and build connections in the community.

Canada Connects

Kathryn Cobbler, Teaching Artist, OrKidstra, Ottawa, Ontario; Jacquie McNulty, Site Manager, Youth Orchestra of Northern Alberta (YONA) – Sistema, Edmonton; Karma Tomm, Director, Sistema Kingston, Ontario

11-03-2020

As El Sistema-inspired programs, we value community. Over the years, programs of various shapes and sizes have sprung up across Canada, laying down roots in priority communities. Although each program is unique in how it strives to support the students and families it serves, we are united as El Sistema-inspired programs in our shared belief in the transformative power of music. We are also bound together in confronting issues that concern all Canadians—issues of income inequality, racism, and systemic oppression, to name a few.

Collective Action for Greater Impact

Armand Hall, Executive and Artistic Director, ROCmusic Collaborative, Rochester, NY

11-03-2020

I am a musician, conductor, and educator who strives to bring reason and connection to my community. This focus was emboldened in 2009 when I was invited by Roberto Zambrano to come to Venezuela as a teaching artist with the Archipelago Project. There, I saw how real community engagement and collective effort can produce excellence. In 2018, I was fortunate to apply for a leadership job with the ROCmusic Collaborative in Rochester, NY. What interested me was the opportunity to work inside an atypical structure that could pool resources and work to recreate the communal spirit I witnessed in Venezuela.

On Organizational Service

Patrick Slevin, Executive and Artistic Director, Austin Soundwaves, TX

11-03-2020

The El Sistema-inspired field is committed to ongoing dialogue, reflection, and adaptation. We regularly analyze our successes and failures, and ask questions like, “What more can we do to support our communities?” and “How can we respond to events happening in our backyards and across the nation?”

Antigua and Barbuda Youth Symphony Orchestra: Opening Global Doors for Local Teacher Development

Hazel Ross, violinist, teaching artist, education consultant and coach

10-12-2020

In July 2020, I was scheduled to deliver workshops for the local teachers of the Antigua and Barbuda Youth Symphony Orchestra (ABYSO), the first youth symphony orchestra in the Leeward Islands of the Caribbean. The global lockdown as a result of COVID-19 abruptly put an end to work in person, and as the world started to embrace principles of working remotely, I began to think about whether I could turn this barrier into an opportunity: if I could demonstrate that teacher development does not necessarily need intervention in person, this could become a more sustainable model for ABYSO and for other similar organizations around the world. Over the following weeks, I developed a ten-week remote teacher development program, aimed at empowering local teachers to provide an inspiring musical education for children within their own community.

Essays About Arts Leadership Posted to The Lewis Prize for Music Website

10-07-2020

The Lewis Prize for Music has expanded its website to feature essays about “Responsive and Collaborative Leadership” by its three 2020 Accelerator Awardees: Brandon Steppe, Ian Mouser, and Sebastian Ruth. The three essays give insight into these leaders’ and their programs’ focus on building trusting relationships with young people, using creativity to support youth mental health, and rethinking the Euro-centric norms of classical music to foster more egalitarian and inclusive musical practices.

Funds Available from Arts Leaders of Color Emergency Fund of Arts Administrators of Color

10-07-2020

Microgrants of $200 are available for BIPOC (Black, Indigenous, and people of color) artists and arts administrators impacted by COVID-19, from the Arts Leaders of Color Emergency Fund of Arts Administrators of Color.

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