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An American in Gothenburg

Emily Kubitskey, Teaching Artist/Conductor

08-01-2019

Often, when we think about the word ‘culture,’ we think about the qualities of a community—its shared music, food, or religion. However, the word is derived from the Latin word ‘colere,’ which means to tend or cultivate; so when we take a more active perspective, we can define culture as ‘the medium for growth.’

Impressions from the YOLA National Festival

Terrence Thornhill, YOLA National Cello Faculty; Teaching Artist, Paterson Music Project

08-01-2019

The U.S. El Sistema movement came together in Los Angeles last week for the YOLA National Festival and Symposium. Two Festival ensembles of students chosen from Sistema programs across the country spent an intense week rehearsing and performing together, while the Symposium brought program leaders and teaching artists together for dialogue.

Changing Lives; Changing Interlochen

Trey Devey, President, Interlochen Center for the Arts

07-01-2019

I first discovered Interlochen as a young child. The campus is just seven miles from my grandparents’ summer cottage, and my love of classical music was inspired by Interlochen Public Radio.

Ten Years of Learning

Paloma Ramos, Chief Program Officer, Harmony Project, Los Angeles, CA

06-01-2019

After 10 years of programming at Harmony Project’s YOLA EXPO site, what have we learned?

We have learned that 7 years old is generally too young to start the French horn; it’s better to wait until at least 10 years of age. We learned that it’s best to start classes a few weeks after school starts, and end them a few weeks before the school year ends.

Illuminating True Progress for All Students

Reynaldo Ramirez, Program Director, Soundscapes, Newport News,VA

06-01-2019

As a Sistema movement, the two main goals we aspire to are musical growth and social growth. We often use some iteration of the motto “social change through music.” However, it is often hard to show data that supports this. El Sistema-inspired programs tend to more easily keep track of information pertaining to musical growth. They accomplish this through playing tests, juries, and concerts.

PlayUSA Grantees Focus on Artistry and Belonging

Eli Rumpf, Public Relations Manager, Weill Music Institute, Carnegie Hall

05-01-2019

This year, the fifteen organizations supported by PlayUSA, a national grant-making initiative of Carnegie Hall’s Weill Music Institute, are focusing on how to maximize their students’ artistic potential while building environments centered on trust and creativity.

Sistema Parenting

Yubelly Erika Vasquez

05-01-2019

Since kindergarden, my daughters Geanelly and Haley have attended the Paterson Music Project (PMP). Geanelly plays the viola and Haley plays violin. At first, it was hard for both of my girls to get comfortable with their instruments. For me, the hardest thing to get used to was the extra time I needed to support my daughters in the program—taking them, picking them up, coming to concerts, etc.

The Archipelago Project

Armand Hall, Director of Education, Archipelago Project & Executive/Artistic Director, ROCmusic Collaborative; Daniel Trahey, Executive Director, Archipelago Project & Artistic Director, OrchKids

04-01-2019

The Archipelago Project’s objective is to empower student creativity and ownership by supplying musical knowledge, performance opportunities, and professional models to inspire the next generation of engaged musicians. For the past 15 years, Archipelago Project’s iterative process in curriculum design has resulted in our Musical Leadership Academy, a summer music camp focused on providing a diverse population of students and teaching artists with opportunities to create music together, learn when to lead and to listen, and thrive in the ensemble as a metaphor for community.

The Symposium: A Reflection

Ismail Akbar, Teaching Artist, Atlanta Music Project

03-01-2019

When I landed in Detroit, Michigan on January 29th for the El Sistema USA Symposium, warnings about the extreme winter temperatures were all over the radio, but I needed to find out on my own. So I took a short walk in my Atlanta “winter clothes”: sneakers, a small coat, no gloves. At that moment, I realized that the next time I went outside in Detroit would be to catch the plane back to Atlanta!

The El Sistema USA National Symposium

Isaac Sinnett, Associate Director, Reach*Teach*Play Education Programs, Ravinia, Chicago Ravinia

03-01-2019

It was clear that the 2019 El Sistema USA National Symposium was going to be special when, in the midst of a historic cold spell, over 200 attendees representing 80 different El Sistema-inspired organizations braved sub-zero temperatures to attend. Attendees arrived early for the welcome and filled the ballroom with the type of vibrant energy surrounding a convening of friends for their annual trip. Christine Taylor Conda, the ESUSA board chair, chose to forgo the typical welcome and, instead, immediately had the entire room singing a three-part song to meet and welcome one another, setting a tone of collaboration and camaraderie for the symposium.

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