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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Teaching Habits of Mind

Lorrie Murray, Director, Bay Area Music Project

12-03-2019

Nearly a decade ago, I helped transform a public elementary school in Alameda, CA into an arts-integrated elementary school, Maya Lin School. Through this, I learned about the Studio Habits of Mind (SHoM), a framework for learning. Developed by a team of researchers and educators at Harvard’s Project Zero, the eight SHoM are: develop craft, engage and persist, envision, express, observe, reflect, stretch and explore, and understand arts worlds.

Rotating Student Leadership Roles at Tocando

Claudia Saldaña, Ph.D., & Beverley Argus-Calvo, Ph.D., College of Education, The University of Texas at El Paso

11-06-2019

Widening participation is one of the goals of Tocando, an El-Sistema inspired program in the U.S/Mexico border city of El Paso, Texas. Students attend the after-school music program Monday through Thursday to receive tutoring, musicianship, and strings instruction. One of Tocando’s distinctive features is the emphasis on developing students’ sense of agency and ownership by giving them rotating job-based assignments. I had the opportunity to observe this process in my role as a researcher for my dissertation study.

News Notes, November 2019

11-05-2019

El Sistema USA recently announced the launch of the El Sistema USA Working Groups. These groups provide both a virtual and in-person space for leaders to come together to discuss and share best practices and challenges they face.

Fostering Environmental Stewardship in Sistema Programs

Keane Southard, Composer and Pianist

11-02-2019

One of our core tenets in the El Sistema movement is that great music education can be more than training on an instrument—it can create better citizens who contribute positively in all aspects of our world. We teach our students to take care of their instruments, the facilities they use, and their classmates and communities.

Editorial: November 2019

Sebastian Ruth, Community MusicWorks, Founder & Artistic Director

11-02-2019

In 2019, many organizations in the United States are examining societal oppressions that affect our communities, and we look for ways to adopt new practices in our educational spaces around diversity, equity, and inclusion. To make progress, it’s critical to examine our work in new ways if we are to have an impact in countering oppressive practices. 

Partnering with Parents

Carolyn Sybesma, The People’s Music School, Director of Artistic Planning & Partnerships

11-02-2019

The People’s Music School (TPMS) is the first 100% free music school of its kind in the country. Founded in 1976 by Rita Simo, an immigrant from the Dominican Republic, our school has grown into a strong community movement. We serve 1,000 students ages 5-18 through programs in the four corners of Chicago: Uptown, Albany Park, Back of the Yards and Bronzeville.

Resources, November 2019

11-01-2019

English Language Learner (ELL) students are the fastest-growing student population in the United States—by 2025, an estimated 25% of public school students will be emergent multilingual learners, according to the National Education Association (NEA). Check out some free resources to support ELLs in your program.

FROM THE EDITOR, October 2019

10-01-2019

Since May 2019, a collaborative transition amongst extraordinary individuals has been taking place behind the scenes with The Ensemble newsletter. Thanks to the incomparable support from Eric Booth and Tricia Tunstall, the October issue of The Ensemble is here, marking the transition of publication to Longy School of Music of Bard College.

Aesthetic Perspectives from a Musical Viewpoint

Chloë Kline, Community MusicWorks; Education Director and Resident Musician

10-01-2019

The concept of art as an act of revolution – as a means to foment change, spur consciousness, and imagine new realities – is as old as art itself. For example, drums would sound to unseen others, and cave images explored individuals’ relationships to known and unknown animal species.

Making a Difference with Mariachi Music

Juan Morales, Mariachi practitioner and Director, The Mariachi Studio, Delano, CA

10-01-2019

Advocacy for culturally responsive music curricula that can be used as tools of empowerment for youth in marginalized areas has been the focus of my work for two decades. At The Mariachi Studio, we use mariachi rather than classical music as an agent of social change; but we have many characteristics in common with programs directly inspired by El Sistema.

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