the ensemble

Creative Youth Development (CYD) is a theory of practice integrating creative skill-building, inquiry and expression with positive youth development principles. These principles can fuel young people’s imaginations and assist in building critical learning and life skills.

As the world has seen El Sistema stretch far beyond the barrios of Venezuela, musicians, educators and citizen artists around the globe have been experimenting with how to use the principles and ideologies of Maestro Abreu in new and exciting ways. In northern Manhattan, that experiment takes the form of the WHIN (Washington Heights & Inwood) Music Community Charter School, an inclusive full-day charter founded on the principles of El Sistema.

Nearly a decade ago, I helped transform a public elementary school in Alameda, CA into an arts-integrated elementary school, Maya Lin School. Through this, I learned about the Studio Habits of Mind (SHoM), a framework for learning. Developed by a team of researchers and educators at Harvard’s Project Zero, the eight SHoM are: develop craft, engage and persist, envision, express, observe, reflect, stretch and explore, and understand arts worlds.

Widening participation is one of the goals of Tocando, an El-Sistema inspired program in the U.S/Mexico border city of El Paso, Texas. Students attend the after-school music program Monday through Thursday to receive tutoring, musicianship, and strings instruction. One of Tocando’s distinctive features is the emphasis on developing students’ sense of agency and ownership by giving them rotating job-based assignments. I had the opportunity to observe this process in my role as a researcher for my dissertation study.

El Sistema USA recently announced the launch of the El Sistema USA Working Groups. These groups provide both a virtual and in-person space for leaders to come together to discuss and share best practices and challenges they face.

One of our core tenets in the El Sistema movement is that great music education can be more than training on an instrument—it can create better citizens who contribute positively in all aspects of our world. We teach our students to take care of their instruments, the facilities they use, and their classmates and communities.

In 2019, many organizations in the United States are examining societal oppressions that affect our communities, and we look for ways to adopt new practices in our educational spaces around diversity, equity, and inclusion. To make progress, it’s critical to examine our work in new ways if we are to have an impact in countering oppressive practices. 

The People’s Music School (TPMS) is the first 100% free music school of its kind in the country. Founded in 1976 by Rita Simo, an immigrant from the Dominican Republic, our school has grown into a strong community movement. We serve 1,000 students ages 5-18 through programs in the four corners of Chicago: Uptown, Albany Park, Back of the Yards and Bronzeville.

English Language Learner (ELL) students are the fastest-growing student population in the United States—by 2025, an estimated 25% of public school students will be emergent multilingual learners, according to the National Education Association (NEA). Check out some free resources to support ELLs in your program.

Since May 2019, a collaborative transition amongst extraordinary individuals has been taking place behind the scenes with The Ensemble newsletter. Thanks to the incomparable support from Eric Booth and Tricia Tunstall, the October issue of The Ensemble is here, marking the transition of publication to Longy School of Music of Bard College.