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Mourning and Honoring a Student Leader

Hermes Camacho, Program Manager, Austin Soundwaves, Austin, TX

01-07-2020

The hours, days, and weeks following the death of Draylen Mason at the hands of a serial bomber in March of 2018 are difficult to look back upon. To lose any student is indescribably tragic, but losing Dray was a deep and personal anguish to all of us at Austin Soundwaves (ASW); he was, and continues to be, the heart and soul of our El Sistema-inspired program. In mourning, we learned how much we at ASW depend on our students, sometimes leaning on them just as much as (or more than) they lean on us. Their strength was remarkable during that time, and the energy that typically fuels teenage intransigence was instead diverted two-fold into leading music-making and creating remembrances for Dray. We grieved and didn’t simply move on. And though it would have been easy to focus on the perniciousness of the circumstances, we felt a grave and humbling responsibility to persist in recognizing and commemorating Draylen’s growing legacy.

Editorial: December 2019

Christine Taylor Conda, Director of Reach*Teach*Play Ravinia; Chair, Board of Directors of El Sistema USA

12-03-2019

Right on time, after ten years of start-up and growth, Sistema programs in the U.S. are entering a new phase, in which we are ready to embark on an exploration of the “Q” word: quality—an essential building block of excellence.

Teaching Habits of Mind

Lorrie Murray, Director, Bay Area Music Project

12-03-2019

Nearly a decade ago, I helped transform a public elementary school in Alameda, CA into an arts-integrated elementary school, Maya Lin School. Through this, I learned about the Studio Habits of Mind (SHoM), a framework for learning. Developed by a team of researchers and educators at Harvard’s Project Zero, the eight SHoM are: develop craft, engage and persist, envision, express, observe, reflect, stretch and explore, and understand arts worlds.

Sistema as School: WHIN’s Ways of Being

Charles Ortiz, Executive Director, WHIN Music Community Charter School

12-03-2019

As the world has seen El Sistema stretch far beyond the barrios of Venezuela, musicians, educators and citizen artists around the globe have been experimenting with how to use the principles and ideologies of Maestro Abreu in new and exciting ways. In northern Manhattan, that experiment takes the form of the WHIN (Washington Heights & Inwood) Music Community Charter School, an inclusive full-day charter founded on the principles of El Sistema.

BLUME Haiti: Building Leaders Using Music Education in Haiti

Rachael Cohen, BLUME Haiti board member, Global Leader 2020 Cohort 

12-02-2019

BLUME Haiti uses the extraordinary impact of music as a tool to empower musicians throughout Haiti. Responding to urgent needs after the devastating earthquake that struck Haiti in 2010, co-founder Janet Anthony, who has taught in the country since 1996, saw the opportunity for an organization that could facilitate getting instruments and supplies to Haiti to help with rebuilding efforts. Thus, with the help of her colleagues and students, BLUME Haiti was born.

Partnering with Parents

Carolyn Sybesma, The People’s Music School, Director of Artistic Planning & Partnerships

11-02-2019

The People’s Music School (TPMS) is the first 100% free music school of its kind in the country. Founded in 1976 by Rita Simo, an immigrant from the Dominican Republic, our school has grown into a strong community movement. We serve 1,000 students ages 5-18 through programs in the four corners of Chicago: Uptown, Albany Park, Back of the Yards and Bronzeville.

Making a Difference with Mariachi Music

Juan Morales, Mariachi practitioner and Director, The Mariachi Studio, Delano, CA

10-01-2019

Advocacy for culturally responsive music curricula that can be used as tools of empowerment for youth in marginalized areas has been the focus of my work for two decades. At The Mariachi Studio, we use mariachi rather than classical music as an agent of social change; but we have many characteristics in common with programs directly inspired by El Sistema.

Sistema Aotearoa Grows in New Zealand

Jess Hindin, Music Director, Sistema Aotearoa

09-02-2019

Since our inception in 2011, there have been many exciting developments over the years, and we now work with over 1000 children throughout the year at Sistema Aotearoa. Starting as an afterschool-only program, we have now developed into an in-school and after-school program, giving regular group lessons in our six local partner schools during the school day, then seeing those same children again weekly after school at our base, Ōtara Music Arts Centre in south Auckland, New Zealand.

The Social Classroom of the Teatro Real

Maria Guerrero, founder and CEO of Acción Social por la Música and Blanca Guillén, Music Therapist and Coordinator of the Aula Social

08-02-2019

The Aula Social (Social Classroom) program of the Social Action Foundation for Music of Madrid, Spain, was launched in September 2015, with the active support of the Teatro Real, Madrid’s legendary opera house.  The launch was propelled by an intensive weeklong workshop offered by a team of professionals from the well-known Special Education Program of El Sistema in Venezuela.

Fostering Epic Parents

Anne Campbell, Education Director, Catamount Arts/EPIC Music

07-01-2019

EPIC Music, in St. Johnsbury, VT, was one of four El Sistema-inspired organizations recently invited to partner with a team of Duke University undergraduates to explore parent engagement in El Sistema USA member organizations. Parent engagement is an important goal for us; we have talked for more than a year about offering violin workshops for parents, so that they can understand our students’ challenges and learn how to help their children practice at home.

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