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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Bringing the Joy of Music to Children of Johannesburg

Adeyemi Oladiran, Founder and Executive Director, Music Enlightenment Project, Johannesburg, South Africa

05-04-2020

The Music Enlightenment Project (MEP) is a community-based initiative in the heart of Braamfontein, Johannesburg, with the vision of a world where the lives of all children are transformed and enriched through music education.

Online Learning In Denver Deepens Relationships

El Sistema Colorado Staff and Teaching Artists

04-07-2020

As words like pandemic, quarantine, and social distancing enter our daily vocabulary, El Sistema–inspired programs everywhere are asking the same question: How do we continue making music in the midst of COVID-19? El Sistema Colorado, like so many other organizations, went online.

Editorial: April 2020

Hillary Harder, ECoSistema Coordinator, Elkhart County, IN 

04-07-2020

For the past year, I have enjoyed meeting with a group of educators and administrators from the El Sistema USA community who seek to collectively define “equity.” Our goal is to educate ourselves about big ideas—systemic access barriers, intersectionality and identity, culturally responsive teaching—and articulate what they mean for us. At the core of these conversations is the idea that El Sistema–inspired programs are uniquely positioned to work toward equity. Maestro Abreu paved the way with his vision of universal access and social change through music education; today, in our North American context, the El Sistema-inspired field must engage with the dynamics of race, class, gender, ability, language, and social factors. If we seek to deeply know and empower our students, these conversations are crucial.

Crossing Borders: A Musical Passport to the World

Seth Truby, Executive Director and Co-founder, BRAVO Youth Orchestras, Portland, OR

04-07-2020

Each spring, the students of BRAVO Youth Orchestras in Portland, Oregon take the stage alongside professional musicians with international backgrounds in a celebration of the world of music called Crossing Borders. BRAVO’s young musicians have played jigs from Ireland, lullabies from Morocco, bossa novas from Brazil, Latin pop from Mexico, a French-Canadian fiddle concerto, and so much more. Their professional collaborators have included jazz pianist Darrell Grant, electric looping violinist Joe Kye, Trinidadian neo-soul singer Blossom, and world-renowned Irish fiddler Kevin Burke, among others. Crossing Borders is a highlight of BRAVO’s program year and also serves as our primary fundraising event, generating needed revenue to support our rigorous after-school music programs in priority schools. Our audiences are delighted to see a full student orchestra (strings, winds, and percussion) playing music from so many traditions alongside their professional musical partners.

The Ubuntu Music Program: Strengthening Community through Music and Athletics

Collective submission from members of the Playing For Change Foundation

04-02-2020

The Playing For Change Foundation has been working in Rwanda since 2011, using music and sports as tools for positive change and education. Ubuntu is a Bantu word that means “humanity towards others”; the Ubuntu Philosophy is a humanist concept that could be summed up as “I am because we are,” and is based on the idea that there is a universal bond of sharing that connects all humanity. This way of thinking inspired the name of our program in Rwanda: the Ubuntu Music Program.

Harmonizing Across Many Languages

Ken MacLeod, President of New Brunswick Youth Orchestra & Founder of Sistema NB

02-04-2020

At Sistema New Brunswick (NB) on Canada’s east coast, we’ve recently faced a unique challenge with broad implications: How best to integrate students of disparate languages into one program? What began in 2009 with one centre and 50 children has grown to over 1,200 children daily, in ten locations, all learning and playing orchestral music. Until September 2019, however, all of these students worked in their own districts, using their own languages.

Meet “The Queen of Paradise Orchestra”: A New Program in Papua New Guinea

Tricia Tunstall

01-08-2020

In 1975, the year El Sistema was founded in Venezuela, a tiny new country was founded on the other side of the world: Papua New Guinea. One of the world’s least explored and most rural nations, PNG would seem to have little in common with the homeland of El Sistema. But in 2019, El Sistema came to Papua New Guinea.

Key Learning from the Field: Trust and Empower Your Community

Jason Steinberg, Founder, International Sports and Music Project

01-07-2020

In the summer of 2014, I arrived on a rainforest island called Pohnpei, in Micronesia (a country in the region of Oceania) to teach high school English. When the school lacked the resources to enable students to explore their passions for music and basketball, the students and I started looking for solutions. This initiative evolved into The International Sports and Music Project (ISMP), an organization that uses sports and music as powerful tools for mental health.

It (Still) Takes a Village

Krystle Ford, Metropolitan Youth Orchestra, Indianapolis, IN

01-07-2020

What does it mean to teach with a village mentality? This is what we do every day at the Metropolitan Youth Orchestra (MYO). Families learning alongside one another is at the core of our program.

Mourning and Honoring a Student Leader

Hermes Camacho, Program Manager, Austin Soundwaves, Austin, TX

01-07-2020

The hours, days, and weeks following the death of Draylen Mason at the hands of a serial bomber in March of 2018 are difficult to look back upon. To lose any student is indescribably tragic, but losing Dray was a deep and personal anguish to all of us at Austin Soundwaves (ASW); he was, and continues to be, the heart and soul of our El Sistema-inspired program. In mourning, we learned how much we at ASW depend on our students, sometimes leaning on them just as much as (or more than) they lean on us. Their strength was remarkable during that time, and the energy that typically fuels teenage intransigence was instead diverted two-fold into leading music-making and creating remembrances for Dray. We grieved and didn’t simply move on. And though it would have been easy to focus on the perniciousness of the circumstances, we felt a grave and humbling responsibility to persist in recognizing and commemorating Draylen’s growing legacy.

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