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Going Wild in New Brunswick

Larry Matthews, freelance writer with a long association with the New Brunswick Youth Orchestra

10-02-2024

The 1,500-strong audience in eastern Canada’s Moncton, New Brunswick erupted with a roar of approval. 

They were applauding the Sistema New Brunswick (Sistema NB) Children’s Orchestra, 110 musicians ages 9-14. But the performance of Tchaikovsky’s Marche Slave was only the warmup.

Soon, Dan Brown walked on stage. A world-famous author of bestselling novels such as The Da Vinci Code, Brown is also a composer. In 2020, he released a new work, Wild Symphony.

NYCPS Arts Office Launches Early Childhood String Pathway Program

10-02-2024

Asian Cultural Council Grants

10-02-2024

EDITORIAL
Universal Design for Learning: A Natural Fit for El Sistema-inspired Programs

Graciela Briceno, teaching artist and Foreign Service Officer, Accra, Ghana

10-02-2024

Imagine that you are walking up a staircase that leads to a school entrance, and you notice a sign that says, “ramp located at the back door.” Okay, so the sign and the ramp make the building technically accessible—but a person who can’t use stairs has to go all the way to the back of the building, locate the ramp, and hope that the door is open.

What if, instead of a staircase in front and a separate ramp in back, the architect had created a walkway that incorporates stairs and ramps all in one place?

This is the foundational metaphor of Universal Design for Learning, or UDL.

Free Student Membership with the League of American Orchestras

09-04-2024

The League of American Orchestras is currently offering free membership to U.S. high school and university students, as well as alumni who graduated within the last two years.

Boston Music Project Wins $50K Grant for Digital Upskilling Program

09-04-2024

The Boston Music Project is tuned into the skills that can help young people successfully enter the 21st century workforce.

EDITORIAL
The Sound of the World

Anis Barnat, Co-founder, El Sistema Greece; Managing Director, Community Arts Network (CAN)

09-04-2024

National and international youth orchestra and choir festivals instill a collaborative mindset in their participants and provide all attendees with powerful, lasting memories. But they are time-consuming to organize, requiring logistical know-how and well-considered, family-flexible safeguarding policies for the children and young people. It’s not only tiring; it’s expensive. And program leaders know firsthand that students progress with or without these national or international festivals. So why bother? What do they offer to young people that their own programs can’t provide?

My answer, in a word: perspective.

Atlanta Music Project Crowned Category Winner at World Choir Games

09-04-2024

The Atlanta Music Project capped off their first international tour with a crowning achievement by their Senior Youth Choir at the World Choir Games.

National Seminario Ravinia: Orchestras For All

Isaac Sinnett, Senior Associate Director, Ravinia Reach Teach Play

09-04-2024

On the evening of July 10, the Ravinia Festival’s historic Pavilion stage glowed with the combined talents of the 130 students of National Seminario Ravinia. It was the final night of the 2024 Seminario, just in its second year. Students aged 11–18 from 43 El Sistema-inspired organizations around the world—including those from 17 U.S. states, Mexico, Canada, Greece, and Sweden—had gathered for four days of intensive orchestral training and mentorship from members of the Seminario Orchestra Partner, the National Orchestral Institute + Festival (NOI+F). For many of the students, it was their first time having such an experience. 

World Orchestra Week at Carnegie Hall

James Ross, Orchestra Director, NYO-USA and NYO2-USA; Music Director, Alexandria Symphony, VA, USA; Director of Orchestral Studies, Curtis Institute of Music

09-04-2024

Carnegie Hall’s World Orchestra Week festival in August was a week of one “WOW!” after another, as seven youth orchestras from five different continents joined forces in and around Carnegie Hall to play for and with each other, to share singular musical works and ethos from their countries, and to show us all what the next generation’s Wishes for Our World might be.

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