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Lullaby International

Tiffany Ortiz, Director, Early Childhood Programs, Carnegie Hall

12-02-2020

Through Carnegie Hall’s Lullaby Project, families work side by side with professional musicians to create and sing personal lullabies for their children. Parents create songs that are uniquely theirs, that reflect who they are as parents and what they hope to communicate or pass on to their children. Families often express the joys, fears, and stresses of parenting, but most of all, they share their hopes, dreams, and love for their children. Each lullaby is a gift, a reflection of parent creativity, love for our youngest ones, and our basic human need for meaningful connection.

The Influence of Music Education on Developing Children

Assal Habibi, Principal Investigator, Brain and Music Program, Brain and Creativity Institute, University of Southern California (USC), Los Angeles; Beatriz Ilari, Department Chair, Music Teaching and Learning, USC

12-01-2020

The past two decades of psychological and neuroscientific research on music have provided robust evidence that learning to play music can support brain maturation and the development of cognitive and social skills in children and adolescents. Learning an instrument requires long hours of practice, focused attention, memory, and discipline; mastering one involves the continuous capacity to improve motor, auditory, and executive skills, and is likely to influence the differential development, maintenance, and function of certain brain structures and systems.

Black Voices in Classical Spaces

Garrett McQueen, Executive Director, TRILLOQUY

12-01-2020

When I’m asked about my experiences in classical music, I simply share my story. In sharing it, I both reaffirm for myself why I continue this type of advocacy work and relay a lived example of why that work must be done.

The International School of Music, Languages and Polytechnic Studies: A Longtime Dream Becomes Reality

Joseph Wasswa, Founder and CEO, IMLS

11-12-2020

Music can unite the world, produce unity and harmony in the community, and offer social and financial assurance. Having grown up humbly myself, I began dreaming in 2011 of starting an academic institution and cultural center for the young generation in my home area of Masaka, Uganda. That dream became the International School of Music, Languages and Polytechnic Studies (IMLS), located in the city of Masaka, near Lake Victoria.

El Sistema Venezuela: Academic Strategies in Times of Confinement

Eduardo Méndez, Executive Director, Fundamusical

11-04-2020

As the new school year takes off, we think it is a good moment to reach out to our friends in Sistema-inspired projects around the world, to share our experiences in teaching and caring for our kids throughout the months of quarantine.

The Toki School of Music: A Living Legacy in Rapa Nui

Kendall Grady, Global Leaders Program 2020 Cohort

11-04-2020

Rapa Nui, the most isolated inhabited place on earth, is the birthplace of the Rapanui people, who call their island “the navel of the world.” With deep, ancient roots, the island attempts to balance its past—including difficult recent memories of colonization in the 1860s—with its prosperous growth in the Western context. In this unique setting, music has played a pivotal role in building collaboration and coexistence between multiple cultures and lifestyles. In my opinion, no organization has embodied that balance more than the Toki School of Music, which celebrates its people’s authenticity in an increasingly modern world.

Canada Connects

Kathryn Cobbler, Teaching Artist, OrKidstra, Ottawa, Ontario; Jacquie McNulty, Site Manager, Youth Orchestra of Northern Alberta (YONA) – Sistema, Edmonton; Karma Tomm, Director, Sistema Kingston, Ontario

11-03-2020

As El Sistema-inspired programs, we value community. Over the years, programs of various shapes and sizes have sprung up across Canada, laying down roots in priority communities. Although each program is unique in how it strives to support the students and families it serves, we are united as El Sistema-inspired programs in our shared belief in the transformative power of music. We are also bound together in confronting issues that concern all Canadians—issues of income inequality, racism, and systemic oppression, to name a few.

Collective Action for Greater Impact

Armand Hall, Executive and Artistic Director, ROCmusic Collaborative, Rochester, NY

11-03-2020

I am a musician, conductor, and educator who strives to bring reason and connection to my community. This focus was emboldened in 2009 when I was invited by Roberto Zambrano to come to Venezuela as a teaching artist with the Archipelago Project. There, I saw how real community engagement and collective effort can produce excellence. In 2018, I was fortunate to apply for a leadership job with the ROCmusic Collaborative in Rochester, NY. What interested me was the opportunity to work inside an atypical structure that could pool resources and work to recreate the communal spirit I witnessed in Venezuela.

Ceding the Floor to Young People in Crisis Times

Francis Gagliardi, Teacher, Facilitator, and Content Design, Young Leaders Program, El Sistema Greece

10-07-2020

Have you ever wondered what the future will be like? Will future leaders be more aware and empathetic? At El Sistema Greece (ESG), such questions never cease to concern us. How do we help our young people become the leaders they’re capable of being?

Shaping Curricula to Overcome Resource Scarcity

Esteban Alvarez, Alumnus, Global Leaders Program; Steinway Artist

10-07-2020

The first time I smelled tear gas, it was a January morning around 10:00 a.m. I was sitting in the car alongside Franco Toro Contreras, the Music Director at Enrique Soro Music School in Quilicura, Chile. Franco picked me up every morning from Monday through Friday at the “Zona Cero” in Santiago, ten miles from the school. Against a backdrop of political and economic upheaval, we drove every morning through the smell of tear gas that had been deployed against protesters the previous night. Despite this troubled socio-political situation—and the fact that I was teaching summer classes—I noticed that attendance never wavered throughout my time at the school.

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