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Sistema Europe Youth Orchestra to Host Sixth Residency in Madrid, July 4-12

02-19-2020

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The World Alliance for Arts Education Hosts 10th World Summit in Florida

01-23-2020

YOLA National Festival Accepting Applications

01-07-2020

Applications are now open for the YOLA National Festival. The 2020 Festival will feature a Symphony Orchestra and Chamber Orchestra, which now expands to woodwind, brass, and percussion musicians age 12-14. Application deadline is February 3, 2020. Click here for more information on audition requirements.

It (Still) Takes a Village

Krystle Ford, Metropolitan Youth Orchestra, Indianapolis, IN

01-07-2020

What does it mean to teach with a village mentality? This is what we do every day at the Metropolitan Youth Orchestra (MYO). Families learning alongside one another is at the core of our program.

Mourning and Honoring a Student Leader

Hermes Camacho, Program Manager, Austin Soundwaves, Austin, TX

01-07-2020

The hours, days, and weeks following the death of Draylen Mason at the hands of a serial bomber in March of 2018 are difficult to look back upon. To lose any student is indescribably tragic, but losing Dray was a deep and personal anguish to all of us at Austin Soundwaves (ASW); he was, and continues to be, the heart and soul of our El Sistema-inspired program. In mourning, we learned how much we at ASW depend on our students, sometimes leaning on them just as much as (or more than) they lean on us. Their strength was remarkable during that time, and the energy that typically fuels teenage intransigence was instead diverted two-fold into leading music-making and creating remembrances for Dray. We grieved and didn’t simply move on. And though it would have been easy to focus on the perniciousness of the circumstances, we felt a grave and humbling responsibility to persist in recognizing and commemorating Draylen’s growing legacy.

Sistema as School: WHIN’s Ways of Being

Charles Ortiz, Executive Director, WHIN Music Community Charter School

12-03-2019

As the world has seen El Sistema stretch far beyond the barrios of Venezuela, musicians, educators and citizen artists around the globe have been experimenting with how to use the principles and ideologies of Maestro Abreu in new and exciting ways. In northern Manhattan, that experiment takes the form of the WHIN (Washington Heights & Inwood) Music Community Charter School, an inclusive full-day charter founded on the principles of El Sistema.

Fostering Environmental Stewardship in Sistema Programs

Keane Southard, Composer and Pianist

11-02-2019

One of our core tenets in the El Sistema movement is that great music education can be more than training on an instrument—it can create better citizens who contribute positively in all aspects of our world. We teach our students to take care of their instruments, the facilities they use, and their classmates and communities.

Editorial: November 2019

Sebastian Ruth, Community MusicWorks, Founder & Artistic Director

11-02-2019

In 2019, many organizations in the United States are examining societal oppressions that affect our communities, and we look for ways to adopt new practices in our educational spaces around diversity, equity, and inclusion. To make progress, it’s critical to examine our work in new ways if we are to have an impact in countering oppressive practices. 

Partnering with Parents

Carolyn Sybesma, The People’s Music School, Director of Artistic Planning & Partnerships

11-02-2019

The People’s Music School (TPMS) is the first 100% free music school of its kind in the country. Founded in 1976 by Rita Simo, an immigrant from the Dominican Republic, our school has grown into a strong community movement. We serve 1,000 students ages 5-18 through programs in the four corners of Chicago: Uptown, Albany Park, Back of the Yards and Bronzeville.

EDITORIAL: The Transformative Power of Big

Eric Booth, Publisher of The World Ensemble

09-02-2019

I have been lucky enough to attend the last three gatherings of the global Sistema’s biggest events—Side by Side by El Sistema Sweden, Sistema Europe Youth Orchestra, and the YOLA National Festival.  There is no getting around it—these are gigantically complex efforts to design and manage, and they are expensive.

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