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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Instilling Cultural Pride and Self-Belief in Cape Town’s Youth

Thomas Duncan, Programs Manager, Playing For Change Foundation

04-07-2021

Predominately Black townships surrounding Cape Town, South Africa are still recovering and rebuilding after the devastating effects of Apartheid. Segregated communities, limited economic opportunities, and poor educational resources compound each other and block youth from determining their own futures. It was in this context that Playing For Change Foundation (PFCF) established its first music program at a secondary school in the township of Gugulethu, which comprises a mainly Black population in the Western Cape district, in 2010. Six years later, we officially established the Imvula Music Program, operating free of charge at different elementary and secondary schools across the Gugulethu, Philippi, and Nyanga townships outside of Cape Town.

Arts Education and Human Capability

Patrick Kabanda, Undercover Artist and Well-Tempered Non-Economist; author of Creative Wealth of Nations

03-03-2021

Knowledge, as widely understood, is the engine of modern economic progress. In that sense, education, as part of knowledge, is a driver of economic development. That’s why the idea of “human capital” augmentation is preached so widely in development discourse.

“I Can and I Will”: Making Beautiful Music at Open Air School

Maxine Matthews, Project Manager, Durban Music School

03-03-2021

The Open Air School in Durban, South Africa is a long-standing institution offering education to learners who have physical impairments, from pre-primary through grade 12. Their motto, “I can and I will,” is how I have come to know each child I meet at the school. Nothing is beyond their reach or capability.

A Musical and Communal Journey in Lesotho and South Africa

John Minnaar, teacher and conductor, Maseru Preparatory School

01-06-2021

The story of music education as a catalyst for social change in South Africa and Lesotho is long and complicated. The history of human struggle and social unrest in southern Africa is well documented, but it gave birth to a new era of growth and potential for its people. One might say that in the wake of South Africa’s newfound freedom from Apartheid, democracy opened many doors to Black South Africans. Within that greater context, I share my own musical journey as a snapshot of three decades of music, equity, and opportunity in South Africa and Lesotho.

Rwanda Youth Music Brings Back the Rhythm in December Concert

12-16-2020

The Rwanda Youth Music program shared a performance video to celebrate the lifting of certain COVID restrictions and the renewal of in-person rehearsals and concerts. On Sunday, December 13, three “energy-boosting bands,” Unit, Legend, and Fire Voice, performed for this online concert. Check out the replay of this celebratory event on their Facebook page.

The Morris Isaacson Centre for Music: Grounding the Basics in Students’ Cultural Identities

Chris Bishop, Director of Music, Morris Isaacson Centre for Music, Soweto, South Africa

12-02-2020

The Morris Isaacson Centre for Music in Soweto, South Africa provides music education to almost 300 students. Driving human development through music, we hold Early Childhood Development classes at local partner institutions, and also provide a comprehensive on-site program of music tuition through individual lessons, ensembles, music theory classes, and choirs to develop musicianship.

The International School of Music, Languages and Polytechnic Studies: A Longtime Dream Becomes Reality

Joseph Wasswa, Founder and CEO, IMLS

11-12-2020

Music can unite the world, produce unity and harmony in the community, and offer social and financial assurance. Having grown up humbly myself, I began dreaming in 2011 of starting an academic institution and cultural center for the young generation in my home area of Masaka, Uganda. That dream became the International School of Music, Languages and Polytechnic Studies (IMLS), located in the city of Masaka, near Lake Victoria.

Government Support Is Essential, Especially Right Now

Eldevina Materula, Minister of Culture and Tourism of the Republic of Mozambique; Founder of Xiquitsi Orchestra, Mozambique

10-07-2020

The COVID-19 pandemic has deeply affected many economic sectors across the world—none more so than the cultural and creative industries. Cultural heritage infrastructures, museums, libraries, galleries, cinemas, and arts education institutions have been locked down. Shows, exhibitions, fairs, cultural tourism, and international exchange opportunities for artists have been canceled. Millions of artists have lost their jobs, and people everywhere have lost access to cultural life. Less visible but equally important are the millions more whose jobs depend on the work of artists.

Saved by Music Foundation: Restoring Hope and Building Trust

Kyewalyanga Fredrick, Founder/Director, Saved by Music Foundation

10-07-2020

Saved by Music Foundation is a community-based non-governmental organization located in Mbale, a city in eastern Uganda. As a former street child who was saved from the streets by music, I started the organization in 2009. Children face many challenges in our community—extreme poverty, child abuse, drug abuse, child pregnancies and marriages, lack of access to education and housing, and so much more. As a result, many children become hopeless. It is easy to fall victim to the streets, where many start using drugs or join criminal gangs, putting their lives on the line while becoming dangers to the community. It was in these circumstances that I decided to do something to help restore hope among children and youth like me.

Ghetto Classics Update

Stephen Ongoma, Kenya

09-02-2020

It has been such a hard time for the art industry to be running its usual activities all over the world since the coronavirus outbreak.

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