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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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World Orchestra Week at Carnegie Hall

James Ross, Orchestra Director, NYO-USA and NYO2-USA; Music Director, Alexandria Symphony, VA, USA; Director of Orchestral Studies, Curtis Institute of Music

09-04-2024

Carnegie Hall’s World Orchestra Week festival in August was a week of one “WOW!” after another, as seven youth orchestras from five different continents joined forces in and around Carnegie Hall to play for and with each other, to share singular musical works and ethos from their countries, and to show us all what the next generation’s Wishes for Our World might be.

Ron Davis Álvarez Named 2024 CNN Hero

09-04-2024

Since 2016, Ron Davis Álvarez has helmed Dream Orchestra, connecting young people, including newly arrived refugees, through ensemble music. This year, his work has been recognized by CNN Heroes, a long-running initiative that honors the creative and selfless efforts of people around the globe to make the world a better place.

International ‘Chords of Harmony’ Resound in Barcelona

Tricia Tunstall, Advisory Editor and Co-Founder, The Ensemble, with “Chords of Harmony” participants

07-10-2024

“Throughout the entire concert, the young musicians were free to laugh. And so was the audience…Music was being felt and lived in another sphere.”

Isn’t this a description of how we would all love our students to experience music, at some point in their learning journey?

Twenty-Five Years of Music for Peacebuilding: Musicians Without Borders

Ed Holland, Content Creator, Musicians Without Borders

07-10-2024

Musicians Without Borders started in the Netherlands in 1999, when a choir and small orchestra led by musician and activist Laura Hassler performed a war memorial concert during the Kosovo War. Their repertoire: folk songs from the Balkans, spanning different languages and ethnicities. The choice of music was a poignant one; the Yugoslav wars had consumed much of the Balkan region, while the rest of Europe helplessly watched daily news images of mass killings, bombed-out villages, and refugees.

Arts Educators in India Drop Old Habits, and Their Kids Flourish

Rathi, Director, Slam Out Loud

07-10-2024

In 2016, Jigyasa Labroo was teaching in the conflict area of Kashmir, India. She brought a poetry exercise to her class of 60 girls that called for them to express their emotions. Jigyasa expected the regular childhood emotions of joy, wonder, and friendship to emerge; what came out instead was mostly pain, anger, isolation, and sadness. The room that day held a great deal of tension and hurt—but also some catharsis. At the end of class, she realized how important it was to create spaces for children to express themselves safely through the arts.

In Aotearoa New Zealand, Kaupapa Leads to Connection

Hanna Wiskari, Cofounder and Musical Director, Ethno New Zealand; freelance musician & teacher

07-10-2024

I had known about Mixit for quite some time. Their work was not only fascinating from an artistic and pedagogical perspective but inspiring in its longevity; the organization has provided opportunities for young people from diverse backgrounds for the past 19 years. Still, I was curious to learn more. As a migrant myself, I had found there to be a lack of projects in Aotearoa New Zealand that use creativity and artmaking in intercultural, collaborative settings—despite the nation’s rich multicultural population.

The El Sistema USA National Symposium: A Report from a First-Timer

Emily Buehler, Manager of Programs and Community Engagement and teaching artist, Paterson Music Project

07-10-2024

As a first-time attendee at the El Sistema USA Symposium, an annual event that brings together people from across the U.S. who are involved in Sistema-inspired work, I didn’t quite know what to expect. But the experience was invaluable. It took place June 13-15, and I am still buzzing with inspiration and excitement about being part of the El Sistema community. 

Two International Grant Opportunities

07-10-2024

We know how hard it is to obtain funding for the work you do, so we’re eager to share two grant opportunities that support community-building and international cultural-exchange initiatives.

The Glasshouse Introduces Free Music Pass for Newborns

07-10-2024

The Glasshouse International Centre for Music is serious about helping children get an early start on musical enrichment.

EDITORIAL
Methods Change, but Community Drives Our Field Forward

Christine Taylor Conda, Director, REACH*TEACH*PLAY Education Programs at Ravinia Festival

07-10-2024

If music is the universal language that brings people together, one would assume that this truth would hold for music education as well. But often, unfortunately, our field can pull people apart into seemingly oppositional camps. Over the course of my career as an arts education leader, I have witnessed many of these schisms, as well as their resolutions. I’d like to share three such dichotomies here.

What is music education for?

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