Community Building

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.

Continuing to Make Music, One Virtual Video at a Time

10-06-2020

Like programs all over the country, Make Music NOLA (MMN) was forced in March 2020 to quickly reinvent our programs for virtual learning. For our after-school students, we created weekly video lessons designed to take the place of their music theory, chamber ensemble, and fiddle classes. But these videos weren’t workable for the 100 students we reach through in-school programming—who attend several different charter schools, were doing remote learning through different systems, and, because of the abruptness of school closures, didn’t even have instruments at home.

Music as a Birthright in Elkhart County

10-06-2020

In Elkhart County, Indiana, our goal is to provide all people with equitable access to quality music education from birth to young adulthood. We believe music is a birthright for every child in our community—that the extraordinary benefits of music education should be built into the fabric of every young person’s upbringing. It’s not a coincidence that the name of our program, ECoSistema (Elkhart County El Sistema), means “ecosystem” in Spanish: we believe that the El Sistema-inspired field can have the greatest impact when we take the overlapping systems already in place in our community and build music into them.

Music to Save Humanity Announces Global Virtual Video Project

09-16-2020

Music to Save Humanity is launching an online music project in collaboration with Ballet for All Kids and the Pacific Academy Foundation Orchestra, inviting instrumentalists from all ages and levels, from beginners to professionals, to participate in an online performance of Tchaikovsky’s Nutcracker Suite. View their first installment here, and consider contacting them at info@musictosavehumanity.org to get involved. They are looking to extend and strengthen their network and are working on more collaborations as part of the Global Virtual Video Project. These videos will be used as outreach to communities that may not have access to the performing arts during this pandemic, including children’s hospitals, assisted living facilities, community organizations, and foundations that support the blind and disabled all around the world.

The EmcArts Project Develops a New Model of Social Change through Teaching Artistry

09-02-2020

Social systems are invariably complex and do not yield to lasting change through traditional advocacy or planning efforts. Why is this? In part, because humans are at once inter-dependent, passionate, assertive, and territorial. These qualities drive social systems away from being ordered and predictable in their behaviors. Most of the time, they become complex and adaptive—which means there is room for creative efforts and for irrational imagination to contribute to the emergence of positive change.

Teaching Artistry as a Balance for Cultural Education Mentalities

09-02-2020

While living in Sweden over the past year, I observed that the education system excels at nurturing student autonomy. Sweden is a small country with only a handful of classical percussionists (or any instrument) at each university. Many professors teach part-time and are seldom on campus, particularly at my host institution, Örebro University. In response, students often initiate repertoire selections, schedule ensemble rehearsals, and coach themselves. Without the constant direction of teachers, they must formulate musical interpretations and direct personal growth.

Dispatch from the Venezuelan Diaspora

09-02-2020

I first met Anthony Pérez more than a decade ago in Venezuela; he was a promising trumpet player from the Andean state of Táchira. We worked together on several occasions, as his energetic performance and manner made him a fantastic interview subject regarding the work of our orchestras and chamber ensembles. His story—a young boy in the town of Rubio rising to be one of the main brass players in the Simón Bolívar Orchestra—made for terrific press. You can see him playing alongside his peers, his hair slicked back, in YouTube clips of the legendary 2007 BBC Proms performance, led by Gustavo Dudamel, that introduced the orchestra to the world.

Ghetto Classics Update

09-02-2020

It has been such a hard time for the art industry to be running its usual activities all over the world since the coronavirus outbreak.

Quarantunes Playlist from The Ambassadors

09-02-2020

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Editorial: Virtual Music-Making as a Tool for Diplomacy

09-02-2020

As the world went into lockdown this year, most educational institutions throughout the world adapted to a new virtual learning environment. Musical classes and performances were no exception. But music is fundamentally a field that relies on subtle human interactions, bringing people physically together. The abrupt change has meant unfamiliar territory for many.

The Rainbow Academy: Warriors of the Rainbow Nation, South Africa

09-02-2020

The year 2010 was very significant in South Africa. During that 16th year of our country’s free and democratic reign, we hosted the first-ever World Cup Soccer Tournament on the African continent. It was perhaps our most prominent spotlight on the world stage since 1994, when South Africans rebelled against the brutal and systematic rule of legalized segregation and white supremacy called “Apartheid.” The 2010 World Cup felt like something of an announcement—a renewed celebration of our many cultures, communities, and opportunities. Amidst that backdrop of hope and justice, The Rainbow Academy was born in Cape Town.

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