Artistas docentes

 
El Ensemble busca conectar e informar a todas las personas que están comprometidas con la educación musical de conjunto para el empoderamiento de los jóvenes y el cambio social.
 
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Noticias y recursos

Apply for TATI’s Cohort VI

06-03-2026

Teaching artists in the U.S. and Canada can apply to join TATI’s (Teaching Artist Training Institute) Cohort VI.

From Program to Public Infrastructure: The Evolution of Dream Arts

Jeehye Suh, CEO, Inculture Consulting (Rep. of Korea); Adjunct Professor, Korea National University of Arts

06-03-2026

When we first designed the Dream Orchestra in 2010, we saw “isolation” as one of the most urgent conditions in children’s lives. At the time, the intensity of college entrance competition had already reached elementary school, and many children were being pushed into highly competitive, lonely environments.

Fifteen years later, children’s lives have not become easier. They remain caught in the competitive trap of the education system while social and economic inequality continues to deepen their vulnerability. Declining physical and mental wellbeing, weakened community ties, and the replacement of direct relationships with media-based activities have also left them increasingly disconnected.

Atlanta Music Project Launches a World Music Festival

06-03-2026

The FIFA World Cup is the world’s most watched and celebrated sporting event, and Atlanta, Georgia, will host three of the tournament’s matches this year.

Dispatches from an Inspiring Trip to Superar Budapest

Danielle Williams, Director of Education, Baltimore Symphony Orchestra OrchKids, Maryland, USA

05-06-2026

If I could offer a travel tip to anyone lucky enough to visit another city or country, it would be this: reach out to a local El Sistema-inspired program, or a similar music for social change program, and visit it! Over the past two decades, I’ve had the privilege of visiting such programs across five continents, learning from colleagues who share a common mission while working in vastly different contexts.

During my spring break this year, a trip to the beautiful country of Hungary led me to connect with the wonderful team at Superar Budapest. What began as a simple visit quickly turned into something much more.

Welcome, El Sistema Oman

05-06-2026

El Sistema Oman, a new youth orchestra program based in the Gulf area of Muscat, Oman, is completing its pilot year.

In Rhode Island, a Music Center Becomes a Community Haven

Sebastian Ruth, Founder and Artistic Director, Community MusicWorks

04-01-2026

Last weekend, in the U.S. city of Providence, Rhode Island, the renowned pianist Emanuel Ax visited Community MusicWorks for a pair of concerts in collaboration with our students and our professional ensemble in residence. Manny’s visit helped to celebrate our CMW Center, which was only a dream when he first came in 2017.

During Manny’s first visit, one concert took place in a neighborhood taqueria, and another on the basketball court of a nearby community center. In many ways, the concerts last weekend marked the new chapter we find ourselves in, welcoming children, families, musicians, and special guest artists into our purpose-built center.

From Spark to Flame: A Glance at Fire Up! 2025

Elisabetta Lapadula, Communications Manager, SONG – Sistema Lombardia

04-01-2026

Imagine choosing—on purpose—to stop. To give yourself a moment of attention and ask, without judgment, a simple question: “Why do I do this work?” It’s a small exercise of meditation and self-awareness that we rarely find time for in our noisy daily routine. And yet, in that brief pause, something can appear: a spark that feeds the question, gives it space, and makes it louder.

For me, Fire Up! 2025 in Athens—a four-day teaching artist residency led by the Academy for Impact through Music (AIM)—was that spark. 

EDITORIAL
Playing in the Same Key: Aligning Purpose and Practice for Students

Fiona Cunningham, Director, Academy for Impact through Music

03-04-2026

“What’s the biggest thing keeping you up at night, as a leader or as a teaching artist?”

When Nikoletta Polydorou, founder of Sistema Cyprus, recently posed this question to music-for-social-action leaders and teaching artists across different countries and contexts, one concern surfaced repeatedly: when a program’s purpose isn’t clear, and collectively owned, the learning is less focused and effective.

EDITORIAL
Young People Are Speaking To Us. Are We Close Enough to Hear Them?

Dalouge Smith, Founder and Executive Director, The Creating Abundance Collaborative; Co-founder and CEO, The Lewis Prize, 2018–2024

12-03-2025

I’d been missing the presence and perspective of young people in these gatherings dedicated to arts education, young people’s wellbeing, and community health through the arts. When young people were present, it was most often as performers, and occasionally as panelists alongside adults.

Throughout these events, I had been wondering, “How is it that we continue to position young people as objects of conversation, and not the subject?”

Sitting in the Student Seat at AIM’s Fire Up Residency

Olivia Romanet, Music Theory Teacher, MusicEnsemble, Conservatoire de Musique de Genève

10-01-2025

That first day, I felt like a teenager: somewhat defiant, hesitant to initiate, eager to observe, even mistrusting…but also wanting to chat, meet people, laugh, and share.

AIM knew what they were doing. We’d found ourselves on the other side of the classroom, sitting in the student chair. And in experimenting with ways to develop our own community and agency—our capacity for action—as educators, we found ourselves viewing students’ needs with new empathy.

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