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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Statement by UNESCO Ministers of Culture

05-18-2020

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Embracing the Unexpected

Daniel Trahey, Founder/Director, Collective Conservatory & OrchKids, Baltimore, MD

05-05-2020

It’s built into our DNA to think, plan, and act towards the future. Your brain is wired to do amazing things, right at this moment.

Editorial: May 2020

Jose Luis Hernandez, Founder/Director, Sistema Tulsa, OK

05-05-2020

We are living in a moment of unprecedented anxiety. Those of us who know and teach the musical arts as means of expression have been busy trying to summon music’s healing powers. We know instinctively that music is the place we must go to and invite people into, to be soothed and comforted. It is one of our spiritual practices. Leonard Bernstein wrote about this at another time when our nation mourned, after the 1963 assassination of President Kennedy: “We must make music more devotedly, more intensely, than ever before,” he said. This time is different. The context in which we are to make music has changed. We have been challenged to deal with the fact that our healing business must be conducted on the Internet.

Atlanta Music Project: Music of the African Diaspora

Aisha Moody, Cofounder and Chief Program Officer, Atlanta Music Project, GA

05-05-2020

In February of this year, the Atlanta Music Project presented a monthlong concert series celebrating music of the African Diaspora. The Music of the African Diaspora Concert Series garnered much attention and welcomed larger audiences than most AMP events. Its success led us to make the series an annual event, not only due to our supporters’ positive response but also because of its impact on our young musicians during and leading up to the concerts.

Professional Development Clock Hours from NAfME

04-07-2020

Free professional development clock hours have been made available by the National Association for Music Education in response to the unprecedented cancelations of conferences and shift to online teaching. These resources, including ten webinars from NAfME Academy, 14 articles from Music Educator Journal, and Live Professional Learning Community webinar series, are peer-reviewed and specifically developed for and by music educators.

Case Study on Cultural Humility from Institute for Music Leadership

04-07-2020

Buffalo String Works in Buffalo, NY has worked with refugee students from Afghanistan, Burma, Eritrea, Iraq, Sudan, Somalia, and Syria. Though inspired by the international El Sistema model, the organization faced plenty of cultural hurdles in working to serve the diverse population. Eastman School of Music’s Institute for Music Leadership has written a case study examining the early years of BSW as it worked to adapt to the needs of the community. Read more to learn how they strived for “cultural humility” and musical excellence simultaneously—these lessons in inclusion can be applied to all programs, no matter their makeup.

Welcome Videos Provide Sense of Familiarity for Students at WHIN Music Community Charter School

04-07-2020

A sense of safety and connectedness is the foundation of successful student learning, but natural disasters can cause turmoil. The impacts of the current pandemic have upended all our familiar routines and rituals, so we must re-dedicate ourselves to these practices. New York City’s WHIN Music Community Charter School cleverly addresses the issues of familiarity and routine for their disrupted students in a video that welcomes them to their online classes.

Online Learning In Denver Deepens Relationships

El Sistema Colorado Staff and Teaching Artists

04-07-2020

As words like pandemic, quarantine, and social distancing enter our daily vocabulary, El Sistema–inspired programs everywhere are asking the same question: How do we continue making music in the midst of COVID-19? El Sistema Colorado, like so many other organizations, went online.

Editorial: April 2020

Hillary Harder, ECoSistema Coordinator, Elkhart County, IN 

04-07-2020

For the past year, I have enjoyed meeting with a group of educators and administrators from the El Sistema USA community who seek to collectively define “equity.” Our goal is to educate ourselves about big ideas—systemic access barriers, intersectionality and identity, culturally responsive teaching—and articulate what they mean for us. At the core of these conversations is the idea that El Sistema–inspired programs are uniquely positioned to work toward equity. Maestro Abreu paved the way with his vision of universal access and social change through music education; today, in our North American context, the El Sistema-inspired field must engage with the dynamics of race, class, gender, ability, language, and social factors. If we seek to deeply know and empower our students, these conversations are crucial.

Crossing Borders: A Musical Passport to the World

Seth Truby, Executive Director and Co-founder, BRAVO Youth Orchestras, Portland, OR

04-07-2020

Each spring, the students of BRAVO Youth Orchestras in Portland, Oregon take the stage alongside professional musicians with international backgrounds in a celebration of the world of music called Crossing Borders. BRAVO’s young musicians have played jigs from Ireland, lullabies from Morocco, bossa novas from Brazil, Latin pop from Mexico, a French-Canadian fiddle concerto, and so much more. Their professional collaborators have included jazz pianist Darrell Grant, electric looping violinist Joe Kye, Trinidadian neo-soul singer Blossom, and world-renowned Irish fiddler Kevin Burke, among others. Crossing Borders is a highlight of BRAVO’s program year and also serves as our primary fundraising event, generating needed revenue to support our rigorous after-school music programs in priority schools. Our audiences are delighted to see a full student orchestra (strings, winds, and percussion) playing music from so many traditions alongside their professional musical partners.

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