Editorials

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Strengthening Our Shared Humanity through Music

Gerald Wirth, Cofounder and Artistic Director, Superar; President and Artistic Director, Vienna Boys Choir

07-01-2020

This school year and concert season end in strange circumstances for all of us around the world. For me, this momentous—and for so many, catastrophic—“pause” is, in part, a time to reflect on the value and nature of the work I do. I feel very fortunate in my many professional activities; it is as a choral conductor, however, that I am most invested in trying to make a difference in the world.

Editorial: June 2020

Dennie Palmer Wolf, Researcher & Writer, WolfBrown, Cambridge, MA

06-02-2020

On my COVID-era daily hike, I found myself behind a woman on her cell phone. At first, I resented the noise; then I began to listen. “Hello, this is Ms. F., Leila’s violin teacher. How are you?…How is she? Does she know she has messages from her music class? We are doing song-writing, and she would be so good at it…Yes, I’d love to tell her.” I realized I was hearing a new kind of musical alliance between teachers, students, and families.

Editorial: Pivoting in Response to Community Need

Jason Steinberg, Executive Director, International Sports and Music Project

06-01-2020

COVID-19 is creating unprecedented challenges all over the world. As nonprofit leaders, we must decide how to continue having a meaningful impact while bolstering our organizations to last through COVID-19 and beyond.

Editorial: May 2020

Jose Luis Hernandez, Founder/Director, Sistema Tulsa, OK

05-05-2020

We are living in a moment of unprecedented anxiety. Those of us who know and teach the musical arts as means of expression have been busy trying to summon music’s healing powers. We know instinctively that music is the place we must go to and invite people into, to be soothed and comforted. It is one of our spiritual practices. Leonard Bernstein wrote about this at another time when our nation mourned, after the 1963 assassination of President Kennedy: “We must make music more devotedly, more intensely, than ever before,” he said. This time is different. The context in which we are to make music has changed. We have been challenged to deal with the fact that our healing business must be conducted on the Internet.

Pondering Inclusion in Times of COVID-19

Dr. Susanne Burns, Development Consultant and Senior Arts Leader in England

05-04-2020

On January 30, 2020, the World Health Organization declared the coronavirus outbreak a Global Public Health Emergency. We are living in unprecedented times and facing one of the most widespread public health emergencies we have ever faced as a worldwide community.

Editorial: April 2020

Hillary Harder, ECoSistema Coordinator, Elkhart County, IN 

04-07-2020

For the past year, I have enjoyed meeting with a group of educators and administrators from the El Sistema USA community who seek to collectively define “equity.” Our goal is to educate ourselves about big ideas—systemic access barriers, intersectionality and identity, culturally responsive teaching—and articulate what they mean for us. At the core of these conversations is the idea that El Sistema–inspired programs are uniquely positioned to work toward equity. Maestro Abreu paved the way with his vision of universal access and social change through music education; today, in our North American context, the El Sistema-inspired field must engage with the dynamics of race, class, gender, ability, language, and social factors. If we seek to deeply know and empower our students, these conversations are crucial.

Rediscovering Our Passion and Purpose during the Coronavirus Pandemic

Maria Majno, President, SONG / Sistema in Lombardia; Vice President, Sistema Europe

04-02-2020

“To every thing there is a season, and a time to every purpose under the heaven.”  One of the best known, most philosophical yet universally accessible passages of the Bible (Ecclesiastes, 3:1) sets a consoling frame. Yet who knows for how many seasons the COVID-19 turmoil will last as an unprecedented challenge? So many questions: Why now? Why was it not possible to avoid, or at least predict, and prepare? Why so many different approaches to one identified enemy? Did any of us expect to see such a catastrophic phenomenon over our lifetimes?

Editorial: March 2020

Michael Angell

03-03-2020

Institutional funders of El Sistema-inspired programs are typically limited to those dedicated to the arts and arts education. Foundations supporting social programs might think, “Why would we fund Sistema? That’s arts, which we don’t do.”

Competition, the Sistema Way

Eric Booth, Co-Founder of The World Ensemble

02-05-2020

The English travel writer Pico Iyer moved to Japan 27 years ago, and his passionate hobby became playing ping-pong at a nearby club. His pleasure in the game comes from the way competition works there, which is so different from the win-or-lose, zero-sum experience of competition in his native England. He says, “When I leave the ping-pong club after an hour and a half of furious exertion, if you asked me, did I win or lose, I couldn’t tell you. I’ve probably played seven games, but nobody keeps track of who’s winning the games. That stands for what the whole ping-pong club is about, which is the sense that everybody should leave in an equal state of delight. This is because in Japan, at least in the context of a club or a community, the most important thing is for everybody to be working together and feeling and thinking together and linked.” (You can hear an interview with Pico Iyer about his ping-pong experiences here.)

Editorial: February 2020

Bonnie Reagan, Co-Founder & Board President, Oregon BRAVO Youth Orchestras, Portland, OR

02-04-2020

Justice, health and music. What do they have to do with each other? I am a family doctor and a social justice person, raised by a social justice mom. I am also the co-founder of BRAVO Youth Orchestras, an El Sistema program now in its seventh year in Portland, Oregon. I helped start BRAVO because I love music and I know that, in the Sistema world, music strongly supports children to become good citizens and self-actualized people.

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