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Toolkit to Support Socio-emotional Learning

02-04-2020

Socio-emotional learning (SEL) is increasingly seen as an essential component of success for students in El Sistema-inspired programs. SEL skills like self-awareness, self-management, interpersonal relating skills, and responsible decision-making are naturally developed in strong programs, becoming key to students’ success in fulfilling their life ambitions in or outside of music. Teachers know that to help young people develop these skills, they need intentionality and strong support from families. The Social Emotional Learning Toolkit: Family Engagement is a new guide from Move This World, and may be particularly helpful to you. The 50-page report is practical-minded, aiming to provide everything you need to bring families into active support in strengthening SEL in students.

Inclusion through Tiered-Parts Music

Zachary Bush, Co-Founder, Leading Tones Music, LLC

02-04-2020

How to find repertoire that excites our students and invites inclusion of their many different skill levels? The Harmony Project Phoenix (HPP) has been exploring this question in the course of a several-year partnership with Arizona State University (ASU).

Harmonizing Across Many Languages

Ken MacLeod, President of New Brunswick Youth Orchestra & Founder of Sistema NB

02-04-2020

At Sistema New Brunswick (NB) on Canada’s east coast, we’ve recently faced a unique challenge with broad implications: How best to integrate students of disparate languages into one program? What began in 2009 with one centre and 50 children has grown to over 1,200 children daily, in ten locations, all learning and playing orchestral music. Until September 2019, however, all of these students worked in their own districts, using their own languages.

Editorial: February 2020

Bonnie Reagan, Co-Founder & Board President, Oregon BRAVO Youth Orchestras, Portland, OR

02-04-2020

Justice, health and music. What do they have to do with each other? I am a family doctor and a social justice person, raised by a social justice mom. I am also the co-founder of BRAVO Youth Orchestras, an El Sistema program now in its seventh year in Portland, Oregon. I helped start BRAVO because I love music and I know that, in the Sistema world, music strongly supports children to become good citizens and self-actualized people.

It (Still) Takes a Village

Krystle Ford, Metropolitan Youth Orchestra, Indianapolis, IN

01-07-2020

What does it mean to teach with a village mentality? This is what we do every day at the Metropolitan Youth Orchestra (MYO). Families learning alongside one another is at the core of our program.

Resources, December 2020

12-03-2019

If you are inspired by the lead article in this issue of The Ensemble and are interested in starting an El Sistema-inspired school, the Walton Family Foundation: Innovative Schools Program grant can help. They support educators who open all types of K-12 schools, particularly schools that look and feel truly different, achieve unprecedented outcomes, serve high-need students, and embrace successes and challenges to share with other schools.

Editorial: December 2019

Christine Taylor Conda, Director of Reach*Teach*Play Ravinia; Chair, Board of Directors of El Sistema USA

12-03-2019

Right on time, after ten years of start-up and growth, Sistema programs in the U.S. are entering a new phase, in which we are ready to embark on an exploration of the “Q” word: quality—an essential building block of excellence.

Sistema as School: WHIN’s Ways of Being

Charles Ortiz, Executive Director, WHIN Music Community Charter School

12-03-2019

As the world has seen El Sistema stretch far beyond the barrios of Venezuela, musicians, educators and citizen artists around the globe have been experimenting with how to use the principles and ideologies of Maestro Abreu in new and exciting ways. In northern Manhattan, that experiment takes the form of the WHIN (Washington Heights & Inwood) Music Community Charter School, an inclusive full-day charter founded on the principles of El Sistema.

Teaching Habits of Mind

Lorrie Murray, Director, Bay Area Music Project

12-03-2019

Nearly a decade ago, I helped transform a public elementary school in Alameda, CA into an arts-integrated elementary school, Maya Lin School. Through this, I learned about the Studio Habits of Mind (SHoM), a framework for learning. Developed by a team of researchers and educators at Harvard’s Project Zero, the eight SHoM are: develop craft, engage and persist, envision, express, observe, reflect, stretch and explore, and understand arts worlds.

Announcing the launch of Music In Action Journal: A Knowledge Hub for the Frontlines of Music-For-Social-Action

Mariano Vales, Music Program Director, The Organization of American States and Mark Gillespie, Creative Director & Co-CEO, the OA Group

06-15-2019

When cultural historians reflect on the late 20th and early 21st centuries, one of the most significant paradigm shifts noted will be the explosion of music-for-social-action initiatives across the globe. Inspired by the work of pioneering figures including Jorge Peña Hen, José Antonio Abreu, Ana Milena Muñoz de Gaviria, Hilda Ochoa-Brillembourg, Ricardo Castro, and others, largely in Latin America, the centuries-old platform of the symphony orchestra has found renewed purpose at the epicenter of grassroots transformations from inner-city Port-Au-Prince to rural Canada, from Scotland to Kenya, from Jamaica to Honduras.

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