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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Integrating Kingian Nonviolence and Music for Social Change

Keane Southard, composer, pianist, and teacher

09-07-2022

Many are familiar with MLK’s use of nonviolence in the American civil rights movement of the 1950s and 60s, but what exactly is Kingian Nonviolence? For King, nonviolence was not simply the absence of violence but the presence of justice. Nonviolence is not passively submitting to violence but actively fighting for justice using non-violent means.

At Brass for Africa, the Debut Is the First Lesson

Ronald Kabuye, Project Manager, Brass for Africa

08-03-2022

Our recruitment methods are organic and, of course, optional; teachers put on unofficial concerts that help participants feel comfortable and self-assured in performance settings. As young people share in the vibrancy and joy of making music, they begin to see themselves as musicians.

Planning for Our Future Building: Intersections of Mission and a New Set of Challenges

Sebastian Ruth, Founder/Director, Community MusicWorks

08-03-2022

The celebration and cheer were well warranted. But the deeper and more challenging effort of this project has been one of bridging—bridging our organizational values with the structures of fundraising and the construction industry.

How I Learned to Stop Worrying and Love the Bore

Natalia Bohórquez, cellist; alumna, Global Leaders Program

08-03-2022

Guarneri Hall does wonderful work supporting emerging and established artists, striving to make classical music more accessible and celebrated in every kind of community. In many ways, it was a dream pairing for me. My mind danced with visions of the ways my skill set might benefit a collaboration between us. And then I received my assignment.

Rehearsal Mission: AIM-ing for Student Empowerment

Richard Mannoia, Advisor, The Academy for Impact through Music (AIM)

08-03-2022

In the plan, these Pillars come to life through the students, who personalize the articulation concept in order to motivate their skill-building and artistic performance.

Giving Voice to the Guatemalan Community

Angela Șindeli, Voice Pedagogy Lecturer, The National University of Music Bucharest; alumna, Global Leaders Program

08-03-2022

Maria José and Mario have transformed children playing into the serious work of making music and being together. Before they even realize it, children are singing and performing as a common extracurricular activity. They know that Querido Arte is a space where their voices matter.

Barrios Orquestados, a Poetic Idea

José M. Brito López, Founder/Director, Bárbara A. Biscaglia, Producer, and Carlos Vega Estévez, pianist and Professor, Barrios Orquestados

07-06-2022

After nine years of operation, our team wanted to do something big for our tenth anniversary, reminding students of their greater purpose and connection during these challenging times. Happily, we were struck by a poetic idea.

Side by Side Is Finally Back

Oskar Lindvall, Producer, Side by Side

07-06-2022

After two years of digital alternatives, Side by Side 2022 returned to Gothenburg, Sweden over a few sunny days in June.

Introducing the Music and Health Research Institute

Mikael Swirp, Research Associate, and Gilles Comeau, Founding Director, The Music and Health Research Institute

07-06-2022

We know that music is a rich human experience. It moves us emotionally, allowing for creative expression, physical activity, social engagement, and sensory and cognitive stimulation. But it’s the next part that really interests us: each of those outcomes can trigger psychological, physiological, cognitive, and behavioral responses that are causally linked with health and wellbeing.

An Operatic Message from Our Children: Save the Planet!

Sergio Monterisi, Cofounder, El Sistema Opéra Méditerranée

07-06-2022

The challenges of climatic changes, the destiny of our planet, the possibility for new generations to take their future in their hands—these very big ideas inspired my colleague Magali Thomas and me to write a new opera for young people.

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