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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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A Project in Cyprus and Portugal Bridges Passion and Profession

Tasos Kyriakou, Music Teacher and Project Manager, Sistema Cyprus, and Margarida Abrantes, Coordinator, Orquestra Geração

10-01-2025

What does it take to turn a young musician’s passion into a meaningful career? For Sistema Cyprus and Orquestra Geração, the answer lies in real, structured opportunity, tailored to young people who are too often overlooked by traditional systems.

Our two organizations have long collaborated on other successful European projects. Building on that experience, and seeing the similar challenges our students face, we teamed up once more to create the Erasmus+ project “InMus: From Youth to Professionalism.”

Two New Books on Music Therapy and Displaced People

10-01-2025

Two new books examine the use of music therapy with people who have experienced forced displacement, highlighting the importance of historical and contextual knowledge of how music can both help and harm people.

In Genoa, an Ensemble for Every Phase of Life

Lara Camia, Project Manager, Trillargento and Matteo Guerrieri, Artistic Director and Conductor, Trillargento

10-01-2025

Trillargento is a community-based music program founded in Genoa, Italy, that explores how ensemble music practice can foster social inclusion, personal growth, and cultural participation. Over the years, we’ve grown into a multi-layered ecosystem of ensembles, each responding to a specific need but together forming a single educational journey that integrates musical development with social and emotional learning.

U.S. School Expands Music Program with 3D-Printed Violins

10-01-2025

After budget cuts, a U.S. school is getting creative to help more students participate in music.

Musician Steven Banks Launches Community Engagement Initiative

10-01-2025

Over the 2025–26 performance season, saxophonist, composer, and educator Steven Banks will bring his new initiative, Come As You Are, to communities across the U.S. and abroad.

Sinfónica Azteca: Empowering Young Musicians Across Mexico, the Americas, and Beyond

Adrián Nájera-Coto, Sinfónica Azteca Project Manager, Orchestra of the Americas Group

10-01-2025

The story of Sinfónica Azteca begins about five years ago, when the world was just beginning to reemerge from the COVID-19 pandemic. Across the globe, music programs and youth orchestras were struggling to survive. The need to restore trust in live music and reignite enthusiasm among young musicians had never been greater.

In Mexico, this posed a double challenge, since we had always lacked a national youth orchestra capable of uniting the country’s young musicians in high-caliber, immersive artistic experiences.

Sitting in the Student Seat at AIM’s Fire Up Residency

Olivia Romanet, Music Theory Teacher, MusicEnsemble, Conservatoire de Musique de Genève

10-01-2025

That first day, I felt like a teenager: somewhat defiant, hesitant to initiate, eager to observe, even mistrusting…but also wanting to chat, meet people, laugh, and share.

AIM knew what they were doing. We’d found ourselves on the other side of the classroom, sitting in the student chair. And in experimenting with ways to develop our own community and agency—our capacity for action—as educators, we found ourselves viewing students’ needs with new empathy.

EUYO Hosts Free Online Symposium for Ensemble Managers

10-01-2025

The European Union Youth Orchestra will host their annual Model Sharing Symposium on October 13–17.

Big Noise Trains Students at The Royal Conservatoire of Scotland

10-01-2025

In 2018, Big Noise developed a module for undergraduate students with staff at The Royal Conservatoire of Scotland.

EDITORIAL
Stronger Together: An Enduring Leitmotif

Christine Rhomberg, Director of Music for Social Change at the Hilti Foundation, 2013-2025

10-01-2025

More than 12 years ago, during my first visit to the then-fledgling Sinfonía por el Perú program, I met a boy—let’s call him Juan—who stood out from the crowd of children. Not only because his double bass was more than twice his size. It was also his charisma, the joyful enthusiasm with which he played his giant instrument, and, even then, his social skills and his attentive devotion to his fellow musicians at his núcleo in the La Victoria district of Lima, Peru.

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