Collaborations

FEATURE: The Americas Take On Collaborative Composition: A Right Answer to the Hard Questions
Eric Booth, Publisher of The World Ensemble
It’s even more important than I thought. The Ensemble and The World Ensemble have published positive pieces in the past about the Collaborative Composition (CC) work that Dan Trahey leads with other teaching artists in support, but this was the first time I witnessed most of the full process. It is educationally and artistically powerful, and bursting with potential for the El Sistema-inspired movement.
In Alliance: More than the Sum of Their Parts
Karen Deschere, Executive Director, Wharton Institute for the Performing Arts
“Hey, did you hear that other group playing our song? I wonder how they knew it?” said one incredulous young cellist to another, after hearing another El Sistema group play “Go Tell Aunt Rhody” at the Fiddle and FaLaLa Fest.
With that one simple question, a child’s world opened up. If he had never heard “Go Tell Aunt Rhody” before he learned it as part of his journey with the Paterson Music Project, how could he guess that anyone else could play it?
Being a Servant and an Artist
Kiana Maria Gonzalez, bassist, Take A Stand Festival Orchestra and El Sistema Lehigh Valley
The National Take a Stand Festival has ended, and 101 students are returning home to over 25 states, each with an intimate and personal experience. Here is the experience of just one of those 101.
Partnering With Schools
Shannon McCue, Program Manager, Alabama Blues Project
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