Collaborations

I’d been missing the presence and perspective of young people in these gatherings dedicated to arts education, young people’s wellbeing, and community health through the arts. When young people were present, it was most often as performers, and occasionally as panelists alongside adults.

Throughout these events, I had been wondering, “How is it that we continue to position young people as objects of conversation, and not the subject?”

Climate change is a complex, often overwhelming issue, causing many to turn away or disengage from conversations about it. That’s where music comes in. Just as we share this planet, we share the language of music. And when we speak it, we have the power to restore our planet’s health and build a thriving network of changemakers.

The Creativity for Social Change Award invites nominations for individuals and art collectives using creative means to respond to local and global challenges.

During the 2022-23 academic year, Buffalo String Works began asking the question: “How can we be more intentional about the music we’re asking our students to learn and perform?” Over the course of attempting to answer this question, the BSW Music Library Development Project was born—resulting in the commissioning and composition of a brand-new work for student string orchestra: “Aka” by Wai Hin Ko Ko.

When Lotus Centre for Special Music Education opened its doors in Ottawa, Canada in 2012, we thought our mission was clear: provide access to high-quality music instruction for students with exceptionalities and disabilities who were being left out of traditional lessons. What we didn’t yet realize was that our students were about to become our greatest teachers, shifting our organization from a provider of services to a learning community shaped directly by their needs and strengths.

The summer of 2025 brought a harsh financial reality. Like so many nonprofits in the United States this year, we lost more than 50% in foundation funding—money we’d counted on to hire adult teachers for our summer programming. We couldn’t bring in the experienced instructors who had anchored our summer camps in previous years.

This loss created an unexpected void that my teaching team and I didn’t know how to fill. To our surprise, our Urban Fellows and Junior Fellows—a group of our older and emerging student leaders—stepped up to fill the void.

In the city where LiberaMusica operates—Pesaro, Italy, right on the Mediterranean coast—the connection with nature is strong and part of everyday life. From the Apennine Mountains to the coastline, children grow up surrounded by an environment that is rich, fragile, and, today more than ever, in need of protection. In recent years, our region has been marked by extreme events: floods, droughts, and changing seasons are reshaping our landscape. Schools and associations have been working hard to raise ecological awareness, and LiberaMusica wanted to contribute by doing what we know best: making music.

The Goethe Institut, in partnership with Expertise France and Institut Français, invites proposals for two different grants supporting artistic and cultural exchange projects between African and European artists.

The Brazilian Institute of Music and Education (IBME – Instituto Brasileiro de Música e Educação) was launched in 2011 with just 15 students. Today, it serves more than 4,000 young people and continues to grow. Among its many talented ensembles, one stands out: the Orquestra Sinfônica Juvenil Chiquinha Gonzaga, an all-female youth orchestra that celebrates the intersection of Brazilian classical and popular music.

We’ve seen throughout history how the arts can speak louder than words, particularly in places where civil rights are under attack.