Collaborations

The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.

Brazil to the Silk Road, Handmade Drums to Pro Tools: How two youth music organizations in the UK are maintaining engagement and exploring new territory

09-02-2020

With the continuation of lockdown halting all live music activity, orchestras and ensembles are becoming more and more accustomed to this new ‘Zoom’ reality. In this article, I mention two recent online musical events I’ve been involved with, specifically the National Orchestra For All’s (NOFA) Online Summer Course and Jubacana’s Summer School. I also contribute my own observations about each occasion given that both events were the first of their kind for the respective organizations.

Quarantunes Playlist from The Ambassadors

09-02-2020

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Collective Conservatory and The Harmony Project

09-02-2020

This year, despite the ongoing pandemic, students at the Harmony Project exercised their creativity while participating with the Collective Conservatory, an organization that offers immersive and meaningful musical-making experiences for communities to improve youth-development, restorative practices, and wellness.

Raising a New Generation of Musicians in Afghanistan

08-05-2020

Afghanistan, a land that weaves a vibrant tapestry of cultures and peoples, continues to undergo conflict even after decades of unrest. Its people keenly feel the heartaches of incalculable loss but continue to persevere. Through this war-weary land, a river of cultural, musical, and artistic heritage flows from the civilizations of the Persia-Central Asia region and the Indian subcontinent. That river was forced to become subterranean in the late 20th century, when the country was embroiled in civil war, but it is now rising to the surface once more.

Editorial: August 2020

08-04-2020

For me, as for many, the pandemic has been a time of Janus-like reflection—simultaneously looking back and making plans for the future. I’ve been reflecting about the early years of the El Sistema movement in the United States: we were driven by Maestro Abreu winning the 2009 TED Prize, the fiery Simón Bolívar Youth Orchestra, the appointment of Gustavo Dudamel to the Los Angeles Philharmonic, and the growing media attention on El Sistema. We had that fire-in-the-belly impetus to found new organizations across the country, with dreams of a new wave of music education.

National Youth Network Meeting

07-07-2020

The National Guild for Community Arts Education has created a National Youth Network (NYN) Meeting as part of the Creative Youth Development (CYD) movement. Youth practitioners, teaching artists, and culture workers age 13–24 are encouraged to attend this weekly virtual gathering and connect, share, and express themselves creatively. Meetings take place every Friday from 7–8:30 p.m. EDT; for more information, please contact Paula Ortega (youth leader) or Ashley Hare (adult accomplice).

Embracing the Unexpected

05-05-2020

It’s built into our DNA to think, plan, and act towards the future. Your brain is wired to do amazing things, right at this moment.

Just-Launched Collective Conservatory is Bold Pandemic Response

05-05-2020

The just-launched Collective Conservatory is a bold response to the pandemic crisis. Describing it as “Immersive Online Music Education,” founder Daniel Trahey and a faculty of established teaching artists, wellness advisors, and volunteer cultural ambassadors deliver holistic, customized, music-centered programs to partner organizations over the Internet. Read this issue’s Guest Perspectives column on this page to learn more from Daniel Trahey.

Online Learning In Denver Deepens Relationships

04-07-2020

As words like pandemic, quarantine, and social distancing enter our daily vocabulary, El Sistema–inspired programs everywhere are asking the same question: How do we continue making music in the midst of COVID-19? El Sistema Colorado, like so many other organizations, went online.

The 2020 El Sistema USA Symposium & Seminario

03-03-2020

Long before I joined The Ensemble newsletters editorial team a few months ago, I knew about El Sistema. I had read about it, listened to interviews, spoken with people inside the movement. But I hadn’t lived it—had barely seen it up close. I grew up playing jazz and orchestral pieces, but my professional background is as an editor, not a music educator. So I arrived in Durham for the 2020 El Sistema USA Symposium and Seminario expecting to listen to a language I barely understood.

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