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Arts and Healing: A Call for Unique Voices

06-16-2021

Creative Generation is calling for stories about how the arts and arts education have helped people and communities heal. Their theme for June is “Healing,” which follows the previous month’s theme of “Protest Art.” Artists are asked to share their stories of recovery and community using whatever social media platforms they prefer. Use the social media handle @Campaign4GenC and #CreativityForGood to contribute to this global call.

Connect Your Students to Artists Around the World

06-16-2021

What is Classroom Connect? Created by Teach to Learn, it is a “customizable virtual classroom that uses live-streaming video to connect students and teachers in the United States to musicians from around the world.” Teachers who are looking for ways to expose their young musicians to international artists and genres should check out this offering of music and musicians from all over the world.

The Teachers’ Guide to Global, Collaborative Teaching and Learning

04-21-2021

One of the few silver linings of this ongoing pandemic has been a collective recommitment to global connection. If we’re all learning in the same place—the Internet—why not share and interact with people across the world? The Teachers’ Guide to Global, Collaborative Teaching and Learning—published by iEARN-USA (the international Education and Resource Network) with support from the Longview Foundation—has compiled a list of these many opportunities for connection, for students and arts practitioners alike. Cultural exchange programs, camps, conversations, and opportunities for collective action abound, so share this far and wide. No matter how specific your collaborative vision, this list has you covered.

Sistema-Inspired Programs in England Share Teaching Tips and Tools

04-21-2021

Teachers from Sistema-inspired programs in England have shared their best tips and tools for teaching, learned over the course of their careers.

Reflection Series on Anti-Racism and Cultural Education Asks, ‘Where Do We Go from Here?’

04-21-2021

From August to December 2020, the Teaching Artistry with Courtney J. Boddie podcast and Creative Generation collaborated with 22 inspiring artists, educators, and community activists—21 of whom are Black, Indigenous, and People of Color (BIPOC)—through the We Can’t Go Back video series.

Imagining New Orchestra Partnerships

Penny Brill, violist, Pittsburgh Symphony; Founder, MUSACOR.com (Musicians as a Community Resource)

02-02-2021

During this time of profound disruption, music for social change organizations have the opportunity to explore new possibilities for collaboration with professional orchestras. This is easier for some than others; not every city has both an orchestra and a social change program. The Pittsburgh Symphony, for example, does not have an El Sistema program in the city—but through their Learning and Community Engagement Department, they have collaborated with many local youth programs.

El Sistema Academy Happening Online, January 30 and 31—deadline Jan. 27

01-20-2021

The fifth annual El Sistema Academy will happen online on January 30 and 31 and is free to all. El Sistema educators and colleagues across the globe will convene to discuss this year’s theme, “Motivation”—motivating students, teams, audiences, and more. Registration closes on January 27. Use this Google Form to register for this year’s session, and learn more about last year’s Academy in this 2019 World Ensemble post.

The Abreu Chamber Choir

Jesús Noguera, Founder, The Abreu Chamber Choir; Translated by Claudia Garcia, Education Coordinator, FILARMED 

01-06-2021

The Abreu Chamber Choir (ACC) is a vocal group formed by young Venezuelan singers who grew up in El Sistema programs but are currently residing in several countries in Europe. The group was founded because of a desire to return to making music with colleagues and friends. We have organized a number of concerts, collaborative learning days, and training workshops for young singers and conductors, continuing the legacy and visionary teachings of Maestro José Antonio Abreu.

Youth-Driven Online Music-Making: Channeling innovation through the screen and into the global community

Nema Robinson, senior violist at BSO OrchKids and Peabody Preparatory’s Tuned In; Lowrider James, sophomore tubist at BSO OrchKids and Peabody Preparatory’s Tuned In; Amy Owens, soprano, teaching artist, and Director of Communications at the Collective Conservatory; Nick Skinner, Director of Operations and Strategic Planning at BSO OrchKids; and Daniel Trahey, Cofounder of The Collective Conservatory, Founder of Peabody Preparatory’s Tuned In, and Artistic Liaison for BSO OrchKids

01-05-2021

For ensemble music learning programs, the onset of the COVID-19 pandemic seemed at first to mean a mandate to compromise music learning, by squeezing and narrowing curriculums to fit into a suddenly two-dimensional space. As time went on, however, the field blossomed with creative initiatives. For our programs, the crisis was a call to action not only to channel innovation through a screen, but also to blow it open into a far-reaching, multi-dimensional, and globally expansive experience. The key? Collaboration—the kind that stretches to every corner of the globe the Internet can touch.

Road Tripping through Mexico with Linda and the Mockingbirds

Verenice Velazquez, Program Participant, Los Cenzontles Cultural Arts Academy

12-02-2020

“Hey, Verenice! We are taking a bus with Linda to Sonora—we’d like you to join us with your fiddle.” I was in my third year at UC San Diego when Eugene Rodriguez, Founder and Director of Los Cenzontles, called me with an invitation to take a very special trip. Just a few months later, I was on a bus to Sonora, Mexico with Linda Ronstadt, Jackson Browne, several Cenzontles, and many more family and friends, embarking on a musical journey that was filmed to create Linda and the Mockingbirds.

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