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SEYO 2022’s Young Change Makers

Esther Akinyemi, Harmonie Foundation, Gabriel Nobre, Orquesta Geraçao, and Carlos Fontán, Pedagogic Director and General Manager, SEYO 2022

09-07-2022

Through a lot of note-taking, conversation, and, eventually, a vote, we settled on two questions that would guide our week of collaborative inquiry: “How can we improve the transmission of emotional message through music?” and “How can we provide musical opportunities for students who may not otherwise have them?”

View Sessions from SEYO SummerFest’s World Ensemble Day

11-17-2021

Sistema Europe’s SummerFest 21 featured World Ensemble Day—a two-part presentation that celebrated innovative solutions invented by music-for-social-change programs around the world. Our team gathered short videos from programs around the world, describing and depicting their innovations; all the videos are available to view at The Ensemble.

World Ensemble Day Seeks to Celebrate What’s Unique in Social Change Programs

06-16-2021

Sistema Europe Youth Orchestra is calling for inspiring and innovative project submissions for its virtual 2021 SummerFest: World Ensemble Day. Taking place July 22, WE Day invites programs across the world to share their innovative solutions to challenges that all music-for-social-change programs face.

Share Your Cleverest Program Design to Be Featured at SEYO SummerFest 2021

06-02-2021

The SEYO 2021 SummerFest is happening this July and will feature a World Ensemble Day on July 22. We will explore some of the coolest, cleverest, most unusual and interesting projects or practices of Sistema-inspired programs around the world. Are you particularly proud of something your program does which others likely don’t do? It could be anything—a surprising and effective way that you present music, raise funds, engage students, inspire teachers, or make connections. Who knows what clever ideas are working out there?

Let us know, so we can share your work at this global conference! It doesn’t need to be a big feature—it could be a musical warmup you’ve invented, or something you do at rehearsals, or a way you communicate with parents.

From the Editor

Tricia Tunstall

09-01-2018

When does the percussion player in a symphony orchestra ever stand right by the principal clarinetist’s shoulder?

The answer: when the Sistema Europe Youth Orchestra (SEYO) is rehearsing Danzon Number 2, by Arturo Marquez – which begins in a sensuous hush, with a solo clarinet melody over woodblock beats. “It’s just a few of you starting this beautiful piece, “ said Maestro Sascha Goetzel, who was leading the rehearsal. “So let’s put you physically together, so that you can play fully together.”

From the Editor

Tricia Tunstall

09-01-2017

In my column last month, I wrote about the 101 young musicians at the iconic modernist Walt Disney Concert Hall in July – the first national Sistema orchestra in the U.S., the Take a Stand Festival Orchestra in Los Angeles. It was a milestone not only for those young musicians but also for the whole U.S. El Sistema-inspired movement.

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