Musicoterapia

EDITORIAL
To Conduct, We Must First Breathe
Ron Davis Alvarez, Founder, Dream Orchestra
I have traveled and taught in nearly 45 countries: at an orphanage in Greenland, in refugee camps, and alongside migrants and refugees who escaped war. I learned to teach when words were not enough, and to build community through music. Somewhere along the way, I forgot something essential: to support others, we also need support.
In Gaza, Children Sing with Drones

Ahmed Abu Amsha, Founder, Gaza Birds Singing; musician, singer, composer, sound engineer, music teacher, and manager of music education programs in Gaza, as told to Ensemble editor Tricia Tunstall
In the beginning of the war on Gaza, I was displaced from my town of Beit Hanoun at 3 a.m. We were running, without shoes, without anything. We arrived in Jabalia, near Gaza City. I was not thinking about music; I was just running for a safe place.
Music Finds a Way in Gaza
Bombs destroyed the well-equipped buildings of the Palestine National Conservatory and war displacement scattered its faculty. But that didn’t stop them.
In Overlooked Spaces, Art and Dignity Flourish

David Norville, Director of Development and Communications, Project: Music Heals Us
In the winter of 2013, Project: Music Heals Us Founder Molly Carr shattered a glass bowl into her left hand on the eve of her concert tour, halting her performing career. In the months that followed, she enrolled in a nursing aide course through the American Red Cross and was assigned to work with Ruth, a late-stage Alzheimer’s patient who, staff warned her, hadn’t spoken in years. The advice she received was practical: get in, get the job done, harden yourself to the screams, and get out.
She knew that the care and attention all people need required something more. So she sat down, held Ruth’s hand in silence, and Ruth, the woman who had not spoken in years, turned and began speaking in complete sentences.
Molly came back every day of that residency. On the last day, she promised Ruth that she would return, and bring her viola next time.
GUEST PERSPECTIVE
When Art and Music Create a Shared Listening Space

Giovanni Acquilino, 2025 Cohort Member, Global Leaders Institute
What does visual art have to do with listening?
It’s an unusual question—but one that’s well worth exploring, as I discovered recently when I attended Sguardi Paralleli (Parallel Glances) – Art Therapy and Autism: Art as Language, an exhibition held in Alassio, Italy and curated by art therapist Carla Paura.
Suggested Reading: Music as a Social Prescription
“Social Music as a Prescription for Maintaining Wellness” is an article by renowned U.S. jazz musician Jon Batiste and Joanne Loewy, Director of the Department of Music Therapy and Professor at New York City’s Icahn School of Medicine.
From Accommodation to Co-Creation: How Students Continue to Transform Our Approach to Adaptive Music Education

Erin Parkes, Founder/Executive Director, and Lyanne Fortin, Communications Manager, Lotus Centre for Special Music Education
When Lotus Centre for Special Music Education opened its doors in Ottawa, Canada in 2012, we thought our mission was clear: provide access to high-quality music instruction for students with exceptionalities and disabilities who were being left out of traditional lessons. What we didn’t yet realize was that our students were about to become our greatest teachers, shifting our organization from a provider of services to a learning community shaped directly by their needs and strengths.
Two New Books on Music Therapy and Displaced People
Two new books examine the use of music therapy with people who have experienced forced displacement, highlighting the importance of historical and contextual knowledge of how music can both help and harm people.
New Research on Music’s Impact on Health and Wellbeing
Music’s wide-ranging health benefits received a new wave of recognition through the recent publication of two studies, each showing long-lasting benefits from music engagement.
EDITORIAL
Enseñanza artística: El potencial de Occidente y Oriente

Eric Booth, cofundador de The Ensemble, cofundador de ITAC y profesor de la Academia para el Impacto a través de la Música.
La enseñanza artística es el gigante dormido del cambio social.
Y ese gigante está despertando. Al menos eso es lo que afirmo, en mi incesante defensa del ámbito mundial.

