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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Editorial: April 2020

Hillary Harder, ECoSistema Coordinator, Elkhart County, IN 

04-07-2020

For the past year, I have enjoyed meeting with a group of educators and administrators from the El Sistema USA community who seek to collectively define “equity.” Our goal is to educate ourselves about big ideas—systemic access barriers, intersectionality and identity, culturally responsive teaching—and articulate what they mean for us. At the core of these conversations is the idea that El Sistema–inspired programs are uniquely positioned to work toward equity. Maestro Abreu paved the way with his vision of universal access and social change through music education; today, in our North American context, the El Sistema-inspired field must engage with the dynamics of race, class, gender, ability, language, and social factors. If we seek to deeply know and empower our students, these conversations are crucial.

Crossing Borders: A Musical Passport to the World

Seth Truby, Executive Director and Co-founder, BRAVO Youth Orchestras, Portland, OR

04-07-2020

Each spring, the students of BRAVO Youth Orchestras in Portland, Oregon take the stage alongside professional musicians with international backgrounds in a celebration of the world of music called Crossing Borders. BRAVO’s young musicians have played jigs from Ireland, lullabies from Morocco, bossa novas from Brazil, Latin pop from Mexico, a French-Canadian fiddle concerto, and so much more. Their professional collaborators have included jazz pianist Darrell Grant, electric looping violinist Joe Kye, Trinidadian neo-soul singer Blossom, and world-renowned Irish fiddler Kevin Burke, among others. Crossing Borders is a highlight of BRAVO’s program year and also serves as our primary fundraising event, generating needed revenue to support our rigorous after-school music programs in priority schools. Our audiences are delighted to see a full student orchestra (strings, winds, and percussion) playing music from so many traditions alongside their professional musical partners.

Early Years Music in Sistema Scotland

Jen Nicholson, Curriculum Leader Early Years, Sistema Scotland

04-02-2020

Winnicott’s famous quote captures the importance of relationship to every individual. He expands to describe the dependency of children on their caregivers not only for basic needs, but also for emotional “holding.”

Grants for Innovative Practices in K-12 Education

03-03-2020

The Braitmayer Foundation supports innovative practices in K-12 education in the US, especially curricular and school reform initiatives and professional development opportunities for teachers. Apply for seed grants, challenge grants, and matching grants of up to $35,000. Letters of inquiry may be submitted through March 15, 2020.

Toolkit to Support Socio-emotional Learning

02-04-2020

Socio-emotional learning (SEL) is increasingly seen as an essential component of success for students in El Sistema-inspired programs. SEL skills like self-awareness, self-management, interpersonal relating skills, and responsible decision-making are naturally developed in strong programs, becoming key to students’ success in fulfilling their life ambitions in or outside of music. Teachers know that to help young people develop these skills, they need intentionality and strong support from families. The Social Emotional Learning Toolkit: Family Engagement is a new guide from Move This World, and may be particularly helpful to you. The 50-page report is practical-minded, aiming to provide everything you need to bring families into active support in strengthening SEL in students.

Inclusion through Tiered-Parts Music

Zachary Bush, Co-Founder, Leading Tones Music, LLC

02-04-2020

How to find repertoire that excites our students and invites inclusion of their many different skill levels? The Harmony Project Phoenix (HPP) has been exploring this question in the course of a several-year partnership with Arizona State University (ASU).

Harmonizing Across Many Languages

Ken MacLeod, President of New Brunswick Youth Orchestra & Founder of Sistema NB

02-04-2020

At Sistema New Brunswick (NB) on Canada’s east coast, we’ve recently faced a unique challenge with broad implications: How best to integrate students of disparate languages into one program? What began in 2009 with one centre and 50 children has grown to over 1,200 children daily, in ten locations, all learning and playing orchestral music. Until September 2019, however, all of these students worked in their own districts, using their own languages.

Editorial: February 2020

Bonnie Reagan, Co-Founder & Board President, Oregon BRAVO Youth Orchestras, Portland, OR

02-04-2020

Justice, health and music. What do they have to do with each other? I am a family doctor and a social justice person, raised by a social justice mom. I am also the co-founder of BRAVO Youth Orchestras, an El Sistema program now in its seventh year in Portland, Oregon. I helped start BRAVO because I love music and I know that, in the Sistema world, music strongly supports children to become good citizens and self-actualized people.

It (Still) Takes a Village

Krystle Ford, Metropolitan Youth Orchestra, Indianapolis, IN

01-07-2020

What does it mean to teach with a village mentality? This is what we do every day at the Metropolitan Youth Orchestra (MYO). Families learning alongside one another is at the core of our program.

Resources, December 2020

12-03-2019

If you are inspired by the lead article in this issue of The Ensemble and are interested in starting an El Sistema-inspired school, the Walton Family Foundation: Innovative Schools Program grant can help. They support educators who open all types of K-12 schools, particularly schools that look and feel truly different, achieve unprecedented outcomes, serve high-need students, and embrace successes and challenges to share with other schools.

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