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International ‘Chords of Harmony’ Resound in Barcelona

Tricia Tunstall, Advisory Editor and Co-Founder, The Ensemble, with “Chords of Harmony” participants

07-10-2024

“Throughout the entire concert, the young musicians were free to laugh. And so was the audience…Music was being felt and lived in another sphere.”

Isn’t this a description of how we would all love our students to experience music, at some point in their learning journey?

Twenty-Five Years of Music for Peacebuilding: Musicians Without Borders

Ed Holland, Content Creator, Musicians Without Borders

07-10-2024

Musicians Without Borders started in the Netherlands in 1999, when a choir and small orchestra led by musician and activist Laura Hassler performed a war memorial concert during the Kosovo War. Their repertoire: folk songs from the Balkans, spanning different languages and ethnicities. The choice of music was a poignant one; the Yugoslav wars had consumed much of the Balkan region, while the rest of Europe helplessly watched daily news images of mass killings, bombed-out villages, and refugees.

Arts Educators in India Drop Old Habits, and Their Kids Flourish

Rathi, Director, Slam Out Loud

07-10-2024

In 2016, Jigyasa Labroo was teaching in the conflict area of Kashmir, India. She brought a poetry exercise to her class of 60 girls that called for them to express their emotions. Jigyasa expected the regular childhood emotions of joy, wonder, and friendship to emerge; what came out instead was mostly pain, anger, isolation, and sadness. The room that day held a great deal of tension and hurt—but also some catharsis. At the end of class, she realized how important it was to create spaces for children to express themselves safely through the arts.

In Aotearoa New Zealand, Kaupapa Leads to Connection

Hanna Wiskari, Cofounder and Musical Director, Ethno New Zealand; freelance musician & teacher

07-10-2024

I had known about Mixit for quite some time. Their work was not only fascinating from an artistic and pedagogical perspective but inspiring in its longevity; the organization has provided opportunities for young people from diverse backgrounds for the past 19 years. Still, I was curious to learn more. As a migrant myself, I had found there to be a lack of projects in Aotearoa New Zealand that use creativity and artmaking in intercultural, collaborative settings—despite the nation’s rich multicultural population.

The El Sistema USA National Symposium: A Report from a First-Timer

Emily Buehler, Manager of Programs and Community Engagement and teaching artist, Paterson Music Project

07-10-2024

As a first-time attendee at the El Sistema USA Symposium, an annual event that brings together people from across the U.S. who are involved in Sistema-inspired work, I didn’t quite know what to expect. But the experience was invaluable. It took place June 13-15, and I am still buzzing with inspiration and excitement about being part of the El Sistema community. 

YOLA Gives ‘Collective Composition’ New Meaning

Ensemble Editorial Team

07-10-2024

We know that many programs use collective composition as a creative boost for students. But an experiment at the Los Angeles Philharmonic’s YOLA Institute Children’s Orchestra was a new one for us at The Ensemble.

GUEST PERSPECTIVE
Creating Collaborative Pathways for Expanded Support of CYD

Shenika John Jordan, Head of Communications, The Lewis Prize for Music

06-05-2024

As The Lewis Prize enters a new phase, we are taking the learnings from our grant process, field relationships, and research to create a platform for expanded investment in creative youth development. We’ve designed the Creating Abundance Collaborative, a cross-sector space where practitioners, young people, researchers, philanthropists, and policymakers come together to advance the field through shared learning and pooled resources.

Growing AIM’s Firebird Fellowship into an Alumni Program

Eric Booth, AIM Senior Faculty, with help from Director Fiona Cunningham and Alumni and Young Artists Program Manager Marco Chimini

06-05-2024

“Your alumni will become your best assets for your mission.” That’s what social entrepreneurs from Changemaker Fellowships told AIM’s leadership when we began in 2018. So far, we agree. 

Music, Theater, and Collaboration: Creating Common Languages for Joy

Lama Amine, Head of Arts, Seenaryo in Lebanon; performer, director, teacher, and activist

06-05-2024

Seenaryo has been creating collaborative and imaginative community theater in Lebanon since 2015. We started working in Jordan in 2018, and we ran our first training in Palestine in 2022. While Seenaryo is first and foremost a theater organization, music has always played a big part in what we do.

At Manzil Mystics, Ancient Language Offers Timeless Truth

Anurag Hoon, Co-Founder and CEO, Manzil Mystics

06-05-2024

There are not many music programs in the world with the word “Mystics” in their name. But it serves us well. Like many Ensemble readers, we are a passionate group of musicians working toward creating social inclusion and happy childhoods through music. And we find inspiration in the all-inclusive and peaceful messages of mystic poets like Kabir Das and Mahatma Gandhi.

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