Repertoire

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Decolonizing the Music Room

07-07-2020

Decolonizing the Music Room is a non-profit organization aiming to use research, training, and discourse to help music educators center the voices and experiences of Black, Brown, and Indigenous people to challenge European and White American practices. Resources include suggested reading, podcasts, firsthand accounts from other music educators, video blogs, and more. Join this ongoing process of learning, reflection, and growth.

Sharing Our Work during COVID-19

Robert Saunders, Music Education Director, Miami Music Project, FL

06-02-2020

As learning programs of every kind and in every part of the world find ways to respond to the global health crisis, El Sistema-inspired programs are doing what we encourage our students to do: we are learning from one another. At Miami Music Project, we quickly reached out to El Sistema USA about creating resources for other El Sistema-inspired programs. We were excited to learn that Monique Van Willingh, Director of the Masters of Arts in Teaching (MAT) program at Longy School of Music at Bard College, was already working to develop a webinar series with the goal of sharing field experiences and best practices of organizations that are successfully transitioning to digital programming. Since summer camp activities are the immediate concern for many El Sistema-inspired programs around North America, El Sistema USA President Katie Wyatt reached out to several program leaders to begin sharing their experiences and innovations in this area.

Transatlantic Professional Development Dialogues

05-05-2020

Have you ever been in collegial dialogue with colleagues in Europe? Join two hour-long discussions with El Sistema Sweden and Sistema Europe members in May. The first discussion is on Wednesday, May 6, 17:00 CEST/1:00pm EDT, focusing on Non-Digital Teaching Tools. What activities can we organize to warm up, to create energy, and to manage larger groups? The second discussion is on Wednesday May 20, 17:00 CEST/1:00pm EDT. The topic: Developing Groups and Repertoire. How can we best advance learning in groups, and what repertoire fits best? The discussions will be recorded and later made available on FB/IG. Register by email; you will receive a Zoom link.

Atlanta Music Project: Music of the African Diaspora

Aisha Moody, Cofounder and Chief Program Officer, Atlanta Music Project, GA

05-05-2020

In February of this year, the Atlanta Music Project presented a monthlong concert series celebrating music of the African Diaspora. The Music of the African Diaspora Concert Series garnered much attention and welcomed larger audiences than most AMP events. Its success led us to make the series an annual event, not only due to our supporters’ positive response but also because of its impact on our young musicians during and leading up to the concerts.

Editorial: April 2020

Hillary Harder, ECoSistema Coordinator, Elkhart County, IN 

04-07-2020

For the past year, I have enjoyed meeting with a group of educators and administrators from the El Sistema USA community who seek to collectively define “equity.” Our goal is to educate ourselves about big ideas—systemic access barriers, intersectionality and identity, culturally responsive teaching—and articulate what they mean for us. At the core of these conversations is the idea that El Sistema–inspired programs are uniquely positioned to work toward equity. Maestro Abreu paved the way with his vision of universal access and social change through music education; today, in our North American context, the El Sistema-inspired field must engage with the dynamics of race, class, gender, ability, language, and social factors. If we seek to deeply know and empower our students, these conversations are crucial.

Crossing Borders: A Musical Passport to the World

Seth Truby, Executive Director and Co-founder, BRAVO Youth Orchestras, Portland, OR

04-07-2020

Each spring, the students of BRAVO Youth Orchestras in Portland, Oregon take the stage alongside professional musicians with international backgrounds in a celebration of the world of music called Crossing Borders. BRAVO’s young musicians have played jigs from Ireland, lullabies from Morocco, bossa novas from Brazil, Latin pop from Mexico, a French-Canadian fiddle concerto, and so much more. Their professional collaborators have included jazz pianist Darrell Grant, electric looping violinist Joe Kye, Trinidadian neo-soul singer Blossom, and world-renowned Irish fiddler Kevin Burke, among others. Crossing Borders is a highlight of BRAVO’s program year and also serves as our primary fundraising event, generating needed revenue to support our rigorous after-school music programs in priority schools. Our audiences are delighted to see a full student orchestra (strings, winds, and percussion) playing music from so many traditions alongside their professional musical partners.

Inclusion through Tiered-Parts Music

Zachary Bush, Co-Founder, Leading Tones Music, LLC

02-04-2020

How to find repertoire that excites our students and invites inclusion of their many different skill levels? The Harmony Project Phoenix (HPP) has been exploring this question in the course of a several-year partnership with Arizona State University (ASU).

New Catalogue of Latin American Cello Music

01-23-2020

The new Sphinx Catalog of Latin American Works powerfully dispels the idea that “classical music” is a uniquely European creation. The library, released by the Sphinx Organization, is the most extensive of its kind, with more than 2,200 entries of cello music from Latin American composers ranging from 1783 to the present.

Making a Difference with Mariachi Music

Juan Morales, Mariachi practitioner and Director, The Mariachi Studio, Delano, CA

10-01-2019

Advocacy for culturally responsive music curricula that can be used as tools of empowerment for youth in marginalized areas has been the focus of my work for two decades. At The Mariachi Studio, we use mariachi rather than classical music as an agent of social change; but we have many characteristics in common with programs directly inspired by El Sistema.

La Red Brings Its Original Music to the U.S.A.

Claudia García, International Management Coordinator for La Red 2018 Tour

12-15-2018

La Red de Escuelas de Música de Medellín (The Music School Network of Medellín) toured the East Coast of the United States in November. Eighty students from La Red’s 27 music schools across Medellín, Colombia were selected through auditions to be part of this creative journey. These students had the opportunity to analyze and reflect on the city they live in, and to produce a 60-minute musical suite called “Medellín Canción Viva” [Medellín, A Living Song].

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