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Free Resources from Harvard’s Initiative for Learning and Teaching Conference

01-05-2021

Video recordings are still available from Harvard’s annual Initiative for Learning and Teaching Conference, covering the themes of equitable instruction and inclusive classrooms. Speakers cover an array of difficult questions ranging from facilitating “difficult or charged” conversations to “adaptive pedagogies” during challenging times. These concepts can easily be applied to music classrooms as programs seek to embed more equitable practices into their curricula and program designs. Also offered is a comprehensive list of resources for educators for reference during the presentations. View the recordings here.

Black Voices in Classical Spaces

Garrett McQueen, Executive Director, TRILLOQUY

12-01-2020

When I’m asked about my experiences in classical music, I simply share my story. In sharing it, I both reaffirm for myself why I continue this type of advocacy work and relay a lived example of why that work must be done.

Three New Podcasts

10-07-2020

Three new podcasts have been launched to broaden your musical perspective. First, Garrett McQueen has co-created a classical music podcast called Trilloquy with Classical MPR host Scott Blankenship. The podcast seeks to explore and uplift classical music of all cultures beyond the Western European canon. The Lewis Prize has also announced the launch news of Original Score, an Indigenous perspective on music, a new podcast produced by Navajo composer and Native American Composer Apprentice Project (NACAP) teaching artist Michael Begay. Read more and share widely using their Announcement Toolkit. And finally, the Atlanta Music Project has launched a podcast series hosted by Cofounder and CEO Dantes Rameau. Titled The Next Movement, it features in-depth video interviews with artistic luminaries that culminate in Q & As with AMP students and faculty. Watch Episode 1 here.

Dispatch from the Venezuelan Diaspora

Rodrigo Guerrero, Assistant Director of Creative Youth Development, New England Conservatory

09-02-2020

I first met Anthony Pérez more than a decade ago in Venezuela; he was a promising trumpet player from the Andean state of Táchira. We worked together on several occasions, as his energetic performance and manner made him a fantastic interview subject regarding the work of our orchestras and chamber ensembles. His story—a young boy in the town of Rubio rising to be one of the main brass players in the Simón Bolívar Orchestra—made for terrific press. You can see him playing alongside his peers, his hair slicked back, in YouTube clips of the legendary 2007 BBC Proms performance, led by Gustavo Dudamel, that introduced the orchestra to the world.

From Lapu-Lapu to Toledo: The Influence of El Sistema in Cebu, Philippines

Axelle Miel, Ambassadors Program Leader; violinist and aspiring teaching artist

09-02-2020

Most of The World Ensemble reporting for the Philippines thus far has been about the Sistema-based program Ang Misyon in Manila, the Philippine capital. Unbeknownst to many—including myself, I must confess—there are many other robust Sistema-based programs all over the country that are equally worthy of feature but have not yet been given due visibility. In this article, I feature five such programs in Cebu, the place I call home. It is my hope that my writing this will pave the way for more equitable coverage.

Editorial: September 2020

Calida Jones, Director of Engagement, The Hartt School; Managing Partner, CNJ Associates

09-01-2020

Since March 13, life has changed drastically. Arts institutions and businesses across the country shut down. Schools emptied. Everyone turned to the internet for visibility, accessibility, and relevance.

Editorial: Music, Standing Still

Laura Hassler, Founder and Director, Musicians Without Borders

08-05-2020

A guest editorial during a global pandemic. What to write, what to say? For every person and every organization dedicated to bringing people together with music: what does this pandemic mean for our work if we are literally prevented from bringing people together with music?

The Importance of Mission Statements

Myka Miller, MM, MBA; Chief Executive Officer, Harmony Project, Los Angeles, CA; Board Member, El Sistema USA

07-07-2020

How do you describe your program to funders? What stories do you tell, and how do they affect your students? These were some of the questions explored in a session called “How We Talk about Our Programs: The Stories We Tell Ourselves,” that I facilitated alongside Dr. Tia Harvey of Accent Pontiac at the El Sistema USA Symposium in January 2020.

MYCincinnati Publishes Open Letter

07-07-2020

In an open letter to its community, Price Hill Will/MYCincinnati recognizes that “everything about an organization’s practices, beliefs, culture, structure, and programs either contributes to racial equity or opposes it.” They present a detailed overview of their equity statements, programs and initiatives, hiring and compensation practices, trainings, fundraising, and more, inviting feedback. Also, their annual Price Hill Creative Community Festival (July 20–25) has announced the festival’s transition to online along with the three Artists-in-Residence. Learn more here.

An Open Letter to My Students

Joseph Conyers, Assistant Principal Bass, Philadelphia Orchestra; Music Director, Philadelphia All City Orchestra; Executive Director, Project 440

07-07-2020

As an educator, I am a role model for young people. In the wake of the social unrest following the death of George Floyd, my students made it clear: not only did they want me to amplify their voices, but they implored me to amplify my own as well. Below is an abridged version of an open letter I wrote them immediately following our discussion. The complete letter can be found at project440.org.

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