Arte para el cambio social

 
El Ensemble busca conectar e informar a todas las personas que están comprometidas con la educación musical de conjunto para el empoderamiento de los jóvenes y el cambio social.

Free Guide for Artists Working in Humanitarian Care

03-04-2026

The Jameel Arts & Health Lab have published a free guide for artists working in local and international humanitarian settings, outlining how creative practices can support preparedness, response, and recovery efforts.

Creating a Community of Belonging at OrKidstra

03-04-2026

When you walk down the halls of OrKidstra, you’ll hear the universal language of music around every corner. Laughter as the kids rush to the snack table during their break. And you’ll hear something distinctly Canadian: the beautiful sounds of a community composed of 62 different cultural and linguistic backgrounds. A community of belonging.

Through Songwriting, Colombian Communities Resolve Conflict and Make Their Voices Heard

03-04-2026

Ask any Bogotano about their perception of Colombia’s Chocó Region, and you’ll likely hear that it is a dangerous and remote place, visited primarily for whale-watching. These inter-regional biases are not uncommon—decades of armed conflict have disrupted networks of community and social cohesion, fragmenting them and threatening the practices that sustain communal life. And though a shared sense of Colombian identity exists, each of the country’s regions maintains a distinct cultural character that is often rooted in music.

Before traveling to Chocó, my perception of Colombia’s outer territories was similarly close-minded.

Un nuevo centro internacional para la reconciliación a través de las artes

04-02-2025

Pocos estarían en desacuerdo con que imaginar y construir algo bueno para la humanidad, en un lugar donde se ha causado un enorme daño, es un acto creativo. Por ello, la finalización de la Ensemble House en Srebrenica (Bosnia y Herzegovina) puede considerarse uno de los grandes triunfos creativos del mundo en los últimos años.

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