Europe

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.

Rediscovering Joy at Superar Hungary

12-11-2024

When I was growing up in Budapest, Hungary, I had the privilege of learning to play music through the pedagogy of Zoltan Kodály, the famous 20th century Hungarian composer, ethnomusicologist, music educator, linguist, and philosopher

Thanks to Kodály, our small country has a well-built school music system, which allows students to learn music theory from a young age and to experience active music-making.

2024-25 Events with SIMM

11-06-2024

SIMM (Social Impact of Music Making) has a lively roster of international research seminars and conferences across Europe this coming year.

Sistema Scotland Performs for the King of England

11-06-2024

Sistema Scotland’s Big Noise ensembles had the honor of performing for the 25th anniversary celebration of the Scottish Parliament in September.

Learning through Teaching with the AIM Firebirds

10-02-2024

This past July, the warmth of the Portuguese summer and the backdrop of the Lisbon sea welcomed a diverse group of teachers and young musicians from social action music programs across more than ten countries. Amidst varied accents and curious glances, a shared energy became palpable—the excitement of face to face meetings among people who had been able to interact with one another only virtually during their four months of preparation. There was also the shared enthusiasm of people doing what they love most: teaching and making music together.

Side by Side by El Sistema Sweden, for a Joyful Decade

09-04-2024

Every year, a joyous gathering of over 2,000 children and hundreds of teachers and chaperones transforms the sunny city of Gothenburg in mid-June into a grand musical jubilee: it’s the Gothenburg Symphony’s youth orchestra festival, Side by Side.

Job Opportunity at The Network of European Foundations

09-04-2024

The Network of European Foundations is looking for an arts administrator to make a positive impact on a big scale.

EDITORIAL
The Sound of the World

09-04-2024

National and international youth orchestra and choir festivals instill a collaborative mindset in their participants and provide all attendees with powerful, lasting memories. But they are time-consuming to organize, requiring logistical know-how and well-considered, family-flexible safeguarding policies for the children and young people. It’s not only tiring; it’s expensive. And program leaders know firsthand that students progress with or without these national or international festivals. So why bother? What do they offer to young people that their own programs can’t provide?

My answer, in a word: perspective.

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