Tricia Tunstall

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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FROM THE EDITOR August 2019

Tricia Tunstall

08-01-2019

Dr. Bettina Love, the author and cultural philosopher whose riveting keynote speech kicked off last week’s YOLA National Symposium in Los Angeles, teaches her education students at the University of Georgia a course called “Black and Brown Excellence.”

Editorial: July 2019

Tricia Tunstall

07-01-2019

I went last week to Side By Side By El Sistema Swe- den, an intensive international music camp spon- sored by the Gothenburg Symphony Orchestra in partnership with the city and El Sistema Sweden. Let’s start with the statistics.

FROM THE EDITOR, June 2019

Tricia Tunstall

06-01-2019

When a famous conductor finishes an artist residency at a storied Ivy League university, he should be given a proper sendoff, right?

The members of the El Sistema New Jersey Alliance, which includes all the Sistema-inspired programs in the state, thought so. So they brought in a 250-piece orchestra to do the job.

FROM THE EDITOR, May 2019

Tricia Tunstall

05-01-2019

This issue focuses on engagement –of students, parents, and families. In our lead article, leaders of Carnegie Hall’s PlayUSA initiative describe how their grantee organizations this year are experimenting with many engagement-fostering activities. In the personal column, a parent of two students in a U.S. Sistema program describes how the life of her family has been changed by her daughters’ engagement with the program.

FROM THE EDITOR, April 2019

Tricia Tunstall

04-01-2019

Here’s a challenge for you: define “excellence.”

How did that go? Did the perfectly satisfying definition pop right up? Or are you doing some backing and filling?

El Sistema USA Leads 2019 National Symposium

Tricia Tunstall, Editor, The World Ensemble

03-01-2019

Over two hundred program leaders, teaching artists, supporters and advocates of the El Sistema movement in the United States came together in Detroit, Michigan in January, to reflect upon current practice and explore promising new directions in the field.  The gathering was designed and led by El Sistema USA, a national organization whose membership includes many Sistema-inspired programs.

FROM THE EDITOR, March 2019

Tricia Tunstall

03-01-2019

I am lucky enough to have been able to go to Venezuela and see El Sistema in action, during those golden years when the Sistema threw its doors open wide to an international multitude of visiting musicians and Maestro Abreu dreamed of Caracas becoming the Vienna of the 21st century. Sadly, it’s hard to visit Venezuela at all now, and El Sistema struggles with the same desperate economic and political crisis that grips everyone in that beautiful and beleaguered country. For the global Sistema community, the poignant silver lining of the crisis is the evolution of a kind of Sistema diaspora, with many Venezeulan master teachers, teaching artists and conductors working with programs around the world.

FROM THE EDITOR, February 2019

Tricia Tunstall

02-01-2019

A few weeks ago, several dozen students from the Trenton, NJ Sistema program Trenton Music Makers began their New Year by visiting the campus of Princeton University, a 20-minute drive but a world away from their daily lives. They were jittery with excitement as they piled into a classroom in the university’s Woolworth Music Building, took out their instruments and began to tune. It wasn’t so much Princeton that gave them the jitters; it was the fact that they were about to play for one of the greatest maestros in the world.

From the Editor, January 2019

Tricia Tunstall

01-01-2019

In the time-honored tradition of pausing on the cusp of a new year to look both forward and back, I’ve been reflecting this week on two questions. How has our Sistema-inspired movement made progress, and what areas are most in need of improvement? Here are my thoughts.

From the Editor

Tricia Tunstall

12-01-2018

I’ve been thinking lately about the problematic nature of the relationship between Sistema and pop music. I don’t mean the genre issue. I am a fan of many current pop artists and much pop music. And I think it’s absolutely essential that Sistema programs embrace ensemble arrangements of the pop music that is meaningful to our kids. So this is not about “classical” versus “pop.” Rather, it’s about the collaborative ethos at the heart of Sistema versus the cult of individual celebrity that dominates pop culture.

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