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The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
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Transforming Young Lives Through Music: Lessons from Five Years of Impact in Creative Youth Development

Alexis Jackson, Data Analysis Officer, The Lewis Prize for Music

03-05-2025

Music has the power to transform lives, strengthen communities, and challenge the systems that shape them—but what does that transformative process actually look like? For the past five years, The Lewis Prize for Music (TLPM) has been addressing this question by supporting organizations that harness music’s power to uplift and empower young people. 

At Sirkhane Social Circus, Cultural Cooperation Is No High-Wire Act

Sahba Aminikia, San Francisco-based Iranian American composer; Founder, Flying Carpet Festival

03-05-2025

Sirkhane Social Circus is more than just a place to learn circus skills—it is a sanctuary of joy, healing, and creative expression for children who have endured the trauma of war, displacement, and social instability. Based in Mardin, Turkey, near the Syrian border, Sirkhane provides a safe and nurturing environment where children from diverse backgrounds—Syrian, Turkish, Iraqi, and Kurdish—come together to learn, perform, and play.

Collaboration Across Cultures—and Genres—in São Tomé and Príncipe and Guinea-Bissau

Eduardo Lála, Conductor and Technical-Pedagogical Coordinator, The Rizoma Project

02-05-2025

When the Rizoma Project launched in 2022 in São Tomé and Príncipe and Guinea-Bissau, I knew we were embarking on an ambitious journey. Our goal was clear: to establish social orchestras in communities with limited resources and significant social challenges. 

At a Canadian Military Base, a Núcleo Answers an Overlooked Need

Tricia Tunstall, Contributing Editor, The Ensemble; Ken MacLeod, Founder, Sistema New Brunswick; and Kenn Mainville, CEO, Sistema New Brunswick

02-05-2025

“Where can we have the most impact?”

This question will resonate with many Ensemble readers, especially those who’ve thought about starting a new program or adding more sites to their program.

For the leaders of the Canadian network Sistema New Brunswick (Sistema NB), it sparked an unusual answer: “A military base!”

Two weeks, 13 concerts, 22 musicians: The Ghetto Classics All-Stars Tour Kenya

Joanna Priwieziencew, Head of Ghetto Classics Dance, Nairobi, Kenya

02-05-2025

Nairobi, Kenya, November 2024.

A small room bordering East Africa’s largest dumpsite. Heat scorches through tin roofs as dust rises from the cement floor. Inside, 20 Kenyan musicians focus on Belgian saxophonist Toine Thys: they take in his every gesture and expression, eager not to miss a note. In the drum section, Canadian drummer and pedagogue Karl Jannuska passes his drumsticks to a Kenyan musician and picks up the shakers. Together, they are about to carve the thick air with an Afro jazz beat.

They’re also about to embark on their first national tour.

EDITORIAL
Reflections on the 50th Anniversary of El Sistema Venezuela

Rodrigo Guerrero, Staff Specialist for Diversity, Equity, and Inclusion at Babson College, Massachusetts, USA; former Associate Director of International Relations and Institutional Development, El Sistema Venezuela

02-05-2025

The Venezuela of 1975 is in sharp contrast to its current reality. Fifty years ago, the country was fully reconstructed after an oppressive military dictatorship and on track for economic growth. That was the context in which a young, brilliant composer and conductor, who also happened to be a gifted politician, used his combined talents to convince the government to support something that felt out of place to officialdom, but, in his vision, right at home.

EDITORIAL
Accelerating Our Actions

Camille Delaney-McNeil, Director, the YOLA/Beckmen YOLA Center at the Los Angeles Philharmonic, California, USA

12-11-2024

As I pen this, I find myself looking through some of the session schedules of prominent convenings in our field over the course of the next several months. Many of these gatherings have their anchored purpose clarified and grounded—and, on paper, this is truly inspiring! However, it’s unfortunate to see that many of the topics are the same as those we discussed two, three, or four seasons ago. We continue to address the same problems, instead of new, compounded issues that we all must rally around, to course-correct.

In His Words: Ron Davis Alvarez, Founder/Director, The Dream Orchestra

Ron Davis Alvarez, in conversation with The Ensemble

12-11-2024

Ron Davis Alvarez, Director of The Dream Orchestra in Gothenburg, Sweden, was nominated as one of the five finalists in the 2024 CNN “Heroes” contest sponsored by the United States-based multinational Cable News Network (CNN). The contest features “inspiring people who have found unique ways to help others,” and aims to elevate awareness of inspirational work by people around the world.

The Ensemble Executive Editor Patrick Scafidi recently interviewed Ron via email.

Rediscovering Joy at Superar Hungary

Judit Morvay, Founder/Director, Superar Hungary

12-11-2024

When I was growing up in Budapest, Hungary, I had the privilege of learning to play music through the pedagogy of Zoltan Kodály, the famous 20th century Hungarian composer, ethnomusicologist, music educator, linguist, and philosopher. 

Thanks to Kodály, our small country has a well-built school music system, which allows students to learn music theory from a young age and to experience active music-making.

EDITORIAL
Youth Arts Embracing Creativity—and Conversation

Corey Depina, Program Director, Zumix

11-06-2024

Young people have unprecedented access to media, which often leads to a reliance on popular opinions rather than the cultivation of their unique voices. I see this in the classroom when I ask students for their thoughts—they often hesitate, looking around for validation instead of trusting their instincts. This reluctance is disheartening. It highlights a pressing need within youth arts education: we must foster spaces for reflection and honest dialogue.

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