Music and Dance

The Power of Creative Work for Immigrants
Creative work makes a difference for all of us, but especially for immigrants.
Re-birth: 18 Years of Music, Meaning, and Maturing

Elizabeth Njoroge, Founder and Executive Director, Art of Music Foundation
Many of the students we began with, back in 2006, are the first in their families to finish school, to attend university, and to build careers. The truly amazing part is that now, as young adults, their dream is not to escape. Their dream is to return. They come back to their communities—with purpose, compassion, and determination. More often than not, they come back to Ghetto Classics as teachers. Most of our current 42 teachers once sat where our students now sit. The learners have become leaders.
Which means, of course, that the program no longer “belongs” to me.
In Chicago, One Piece of Music Brings a City Together

Christine Taylor Conda, Executive Director of Education & Community Engagement, Ravinia Festival
During the two magical years I spent in Jamaica as a child, my aunt would visit our house every Thursday evening after work. I remember our family spending dinnertime on orange pleather cushions, listening to broadcaster Leonie Forbes recite poetry on the radio as classical music played in the background. That dinner table is where I first fell in love with Beethoven’s 7th Symphony, and my family still talks about those Thursday nights we spent together.
Now, as Ravinia searches for inventive ways to reinvigorate interest in great musical works, those Thursday evenings come to mind.
Now, as Ravinia searches for inventive ways to reinvigorate interest in great musical works, those Thursday evenings come to mind.

