Colaboraciones

Conservatory and university music students and recent graduates can join the League of American Orchestras for free as a League Student Member, or upgrade to the professional level for $80.

El Sistema USA just opened the applications for the 2027-28 Youth Leadership Institute (YLI), a year-long cohort that brings together program leaders and young musicians as co-learners.

The Creative Economy Pathways Virtual Town Hall Series, hosted by Creating Abundance Collaborative, explores how Creative Youth Development (CYD) organizations open career pathways through arts-based experiences and youth leadership.

“It gave me great peace of mind to know that there are such capable and inspiring people whom I can turn to when I face problems that I cannot solve on my own.”

This was how one of my peers reflected on our three days together in Milan last August. Her words got to the heart of a question I had been thinking about for some time: 

What keeps a network alive?

Perform Europe, the European funding plan for cross-border touring in the performing arts sector, has launched its third Open Call, offering €1.4 million in total to support innovative touring proposals across 41 Creative Europe countries.

RESEO, a European network dedicated to education, participation, and transformation through opera, music, and dance, is celebrating their 30th anniversary this year with a conference titled Making Noise: The Future that We Want.

One of the U.S. leaders in the Arts and Health movement, Tasha Golden has published “Four Big Ideas for Improving Health through the Arts,” a succinct, free e-book introducing the field of Arts and Health.  

In the beginning of the war on Gaza, I was displaced from my town of Beit Hanoun at 3 a.m. We were running, without shoes, without anything. We arrived in Jabalia, near Gaza City. I was not thinking about music; I was just running for a safe place.

The deadline for applications to attend the SIMM research seminar on participatory opera and music theatre has been extended to October 15.

Almost a hundred years ago, as construction began on the majestic Palais des Beaux-Arts in Brussels, Belgium, Director Marcel Cuvelier walked through the construction site with a dream. “I always thought of giving concerts for young people,” he later wrote. “When I walked like an insect in that huge frame that would become a concert hall, meeting rooms, offices, halls…I thought about an audience that is demanding, worthy of respect, living: young. I could already hear the shouts and the applause.”