youth development

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.

EDITORIAL
A Question We Could Not Answer

09-02-2026

One of our longest-standing members asked a question at a meeting this year that I still cannot answer well. He had rehearsed four or five pieces for our concert last December. On the afternoon itself, he participated in playing only one of them. He wanted to know how that had come about. He put his question to everyone in the room.

GUEST PERSPECTIVE
Why Willing Volunteers Still Don’t Show Up: How youth music programs can turn goodwill into support

09-02-2026

Last month, my daughter’s choir director needed parents to take tickets to the year-end concert. I had been a choir singer and director myself, so I know the invisible work it takes to put students on a stage. When the request came, I wanted to be the kind of parent who showed up.

Then, my week got overwhelming. By the time the concert arrived, I was no longer deciding between helping and not helping. I was deciding which responsibility would boil over first if I took my attention off it.

In Uganda, Music Unearths the Questions That Heal Us

09-02-2026

HEAL grew out of Usanii Village Africa‘s previous work with young people, including more than 50 girls and boys whose experiences helped shape the program. Since 2021, Usanii Village Africa has worked to empower young people across Uganda through the arts. In designing HEAL, we wanted to explore how the arts could engage young people in uncomfortable conversations, helping them develop leadership and communication skills while exploring adolescent health and gender equality.

U.S. Programs Are Approaching ‘The Middle’ of Their Movement. Now What?

07-08-2026

There are seasons in any movement. The beginning, that electric moment when a new idea catches fire, is unforgettable. So is the end, when a movement gains a permanent foothold in society. But the middle—the developing stage—is different. The middle is where the path is no longer clear, where the just cause and the strategies for seeing it through are both tested. It’s my impression that, in many places of the world, El Sistema-inspired programs find themselves in that adolescent stage.

These growing years are critical to our future as a movement—just as the adolescent years are critical to our students’ growth. Here are a few discoveries being made by U.S. programs I’m familiar with, shared with the hope that they resonate with programs around the world.

EDITORIAL
Snapshots of the Work Tell the Story of Our Impact

07-08-2026

Every other week this season, I wrote updates to my Los Angeles Philharmonic colleagues—a small, internal note meant to keep our broader institution abreast of what the Learning Department was up to. On the surface, it could be viewed as mundane: a calendar snapshot, a few highlights, the ever-important statistics everyone needs. But as I scrolled back through nine months of messages, I realized the depth they carry. These were not only stories about music lessons, concerts, and special events. They were testaments to the impact of connection built across programs, networks, and industries.

Grants for Underserved Communities Across the Globe

07-08-2026

The Million Dollar Round Table (MDRT) Foundation’s Global Grants Program funds a diverse range of charitable projects benefiting underserved communities, and especially young people, worldwide.

Compelling New Research in Scotland

07-08-2026

Many years of research by the Glasgow Centre for Population Health on Big Noise Govenhill provide the deepest evidence of our field’s social and economic impact.

Erasmus+ Project Finds Funding

06-03-2026

Sistema Europe reports that their Erasmus+ KA153 project “Music and Social Action in Europe: Practices in Exchange” has officially been approved.

Successful Students at Sistema Cyprus

06-03-2026

Congratulations to two students from Sistema Cyprus.

Young Composers in Toronto, Canada

06-03-2026

Sistema Toronto’s students engaged in a term-long composition project with award-winning composer Aaron Manswell and the Nathaniel Dett Chorale (NDC).

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