Music Technology

There are seasons in any movement. The beginning, that electric moment when a new idea catches fire, is unforgettable. So is the end, when a movement gains a permanent foothold in society. But the middle—the developing stage—is different. The middle is where the path is no longer clear, where the just cause and the strategies for seeing it through are both tested. It’s my impression that, in many places of the world, El Sistema-inspired programs find themselves in that adolescent stage.

These growing years are critical to our future as a movement—just as the adolescent years are critical to our students’ growth. Here are a few discoveries being made by U.S. programs I’m familiar with, shared with the hope that they resonate with programs around the world.

The New England Conservatory has produced a free new music game application, NADIA.

Carnegie Hall has launched Rhythm Explorer, a free interactive music game where kids can play along with songs from diverse musical traditions.

The Wits Innovation Centre, in partnership with the Machine Intelligence & Neural Discovery Institute at Wits University in Johannesburg, South Africa, has launched the pilot project AI & African Music, expanding AI datasets and applications into African contexts.

Research is beginning to show how much new technology can benefit students in the music classroom. David Knapp’s recent study, published in Research Studies in Music Education, offers a few good reasons why music educators should be outfitting their classrooms with digital audio workstations (DAWs).

If you are inspired by the lead article in this issue of The Ensemble and are interested in starting an El Sistema-inspired school, the Walton Family Foundation: Innovative Schools Program grant can help. They support educators who open all types of K-12 schools, particularly schools that look and feel truly different, achieve unprecedented outcomes, serve high-need students, and embrace successes and challenges to share with other schools.