Italy

A Living Network Meets in Milan

Nikoletta Polydorou, Executive Director, Sistema Cyprus; Board Member, Sistema Europe
“It gave me great peace of mind to know that there are such capable and inspiring people whom I can turn to when I face problems that I cannot solve on my own.”
This was how one of my peers reflected on our three days together in Milan last August. Her words got to the heart of a question I had been thinking about for some time:
What keeps a network alive?
GUEST PERSPECTIVE
When Art and Music Create a Shared Listening Space

Giovanni Acquilino, 2025 Cohort Member, Global Leaders Institute
What does visual art have to do with listening?
It’s an unusual question—but one that’s well worth exploring, as I discovered recently when I attended Sguardi Paralleli (Parallel Glances) – Art Therapy and Autism: Art as Language, an exhibition held in Alassio, Italy and curated by art therapist Carla Paura.
In Genoa, an Ensemble for Every Phase of Life

Lara Camia, Project Manager, Trillargento and Matteo Guerrieri, Artistic Director and Conductor, Trillargento
Trillargento is a community-based music program founded in Genoa, Italy, that explores how ensemble music practice can foster social inclusion, personal growth, and cultural participation. Over the years, we’ve grown into a multi-layered ecosystem of ensembles, each responding to a specific need but together forming a single educational journey that integrates musical development with social and emotional learning.
EDITORIAL
A Space to Be: What One Classroom Taught Me about Art, Listening, and Inclusion
Giovanni Acquilino, 2025 Cohort Member, Global Leaders Institute
This was a Mus-e session at a public primary school in Genova, Italy, in a room filled with light, nervous energy and about 20 children in motion. Some moved eagerly. Some hung back. Some followed Olivia Giovannini, the teaching artist leading the session. Others wandered in their own rhythm. Throughout it all, something subtle was happening: no one was being excluded.
EDITORIAL
The Sound of the World

Anis Barnat, Co-founder, El Sistema Greece; Managing Director, Community Arts Network (CAN)
National and international youth orchestra and choir festivals instill a collaborative mindset in their participants and provide all attendees with powerful, lasting memories. But they are time-consuming to organize, requiring logistical know-how and well-considered, family-flexible safeguarding policies for the children and young people. It’s not only tiring; it’s expensive. And program leaders know firsthand that students progress with or without these national or international festivals. So why bother? What do they offer to young people that their own programs can’t provide?
My answer, in a word: perspective.
The Abreu Chamber Choir

Jesús Noguera, Founder, The Abreu Chamber Choir; Translated by Claudia Garcia, Education Coordinator, FILARMED
The Abreu Chamber Choir (ACC) is a vocal group formed by young Venezuelan singers who grew up in El Sistema programs but are currently residing in several countries in Europe. The group was founded because of a desire to return to making music with colleagues and friends. We have organized a number of concerts, collaborative learning days, and training workshops for young singers and conductors, continuing the legacy and visionary teachings of Maestro José Antonio Abreu.

