Inclusive Education

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.
 
The Ensemble Newsletter

Regions

Africa

Asia/Oceania

Europe

Latin America

North America

Topics

Teaching & Learning

Program Design

Student Voice & Leadership

Community Building

Collaborations

Funding & Support

Perspectives & Collective Action

News & Resources

Dispatches from an Inspiring Trip to Superar Budapest

Danielle Williams, Director of Education, Baltimore Symphony Orchestra OrchKids, Maryland, USA

05-06-2026

If I could offer a travel tip to anyone lucky enough to visit another city or country, it would be this: reach out to a local El Sistema-inspired program, or a similar music for social change program, and visit it! Over the past two decades, I’ve had the privilege of visiting such programs across five continents, learning from colleagues who share a common mission while working in vastly different contexts.

During my spring break this year, a trip to the beautiful country of Hungary led me to connect with the wonderful team at Superar Budapest. What began as a simple visit quickly turned into something much more.

Hosting Fire Up! in Athens: A Week of Collective Practice and Exchange

Angeliki Georgokosta, General Manager, and Lydia Margari, Ensembles Manager, El Sistema Greece

05-06-2026

When the Academy for Impact through Music (AIM) suggested bringing the Fire Up! residency to Athens, we felt both excitement and a strong sense of responsibility. Our space is deeply meaningful to us; El Sistema Greece is a vibrant community grounded in trust, creativity, and daily collaboration, and inviting colleagues from across Europe into that community felt acutely personal. The residency itself was intense and demanding, with constant transitions between workshops, rehearsals, peer exchanges, and shared experiences. It also afforded us a rare opportunity: a chance to be students in our own teaching spaces, and to see those spaces through the eyes of our peers.

From Accommodation to Co-Creation: How Students Continue to Transform Our Approach to Adaptive Music Education

Erin Parkes, Founder/Executive Director, and Lyanne Fortin, Communications Manager, Lotus Centre for Special Music Education

11-05-2025

When Lotus Centre for Special Music Education opened its doors in Ottawa, Canada in 2012, we thought our mission was clear: provide access to high-quality music instruction for students with exceptionalities and disabilities who were being left out of traditional lessons. What we didn’t yet realize was that our students were about to become our greatest teachers, shifting our organization from a provider of services to a learning community shaped directly by their needs and strengths.

“Giftedness Is Just Access in Disguise”: Lessons in Flourishing Together

Jee-Hoon Krska, Founder/Executive Director, Keys 2 Success, Newark, New Jersey, USA

11-05-2025

The summer of 2025 brought a harsh financial reality. Like so many nonprofits in the United States this year, we lost more than 50% in foundation funding—money we’d counted on to hire adult teachers for our summer programming. We couldn’t bring in the experienced instructors who had anchored our summer camps in previous years.

This loss created an unexpected void that my teaching team and I didn’t know how to fill. To our surprise, our Urban Fellows and Junior Fellows—a group of our older and emerging student leaders—stepped up to fill the void.

Along Italian Coast, a Climate-Conscious Program Turns “Rubbish Into Music”

Chiara Galli, Managing Director, and Stefano Murciano, Communications Manager, LiberaMusica

11-05-2025

In the city where LiberaMusica operates—Pesaro, Italy, right on the Mediterranean coast—the connection with nature is strong and part of everyday life. From the Apennine Mountains to the coastline, children grow up surrounded by an environment that is rich, fragile, and, today more than ever, in need of protection. In recent years, our region has been marked by extreme events: floods, droughts, and changing seasons are reshaping our landscape. Schools and associations have been working hard to raise ecological awareness, and LiberaMusica wanted to contribute by doing what we know best: making music.

Agents of Change

Loukia Lazarou, Teaching Artist and Project Manager, Sistema Cyprus

05-07-2025

The idea of hosting volunteers had two purposes: one, the additional staff would be an immense help for our organization, and two, they would provide relatable young role models for our students—especially important for those from vulnerable backgrounds. We wanted to create a structure that nurtures leadership, social responsibility, and cultural exchange, both for the young people in our orchestra and for the volunteers.

Growing Arts Education in India, No ‘Artist’s Touch’ Required

Dharmesh Moleshri, Growth & Outreach Manager, Saturday Art Class

11-06-2024

In a city like Mumbai, India’s financial capital, 300 out of the 400 public schools do not have a designated art teacher. Many schools rely on academic subject teachers to handle “art classes,” despite their lack of formal training or experience. While working in rural and remote regions, we realized that the situation worsened outside of Mumbai, reflecting a nationwide trend that affects over 250 million children in government and low-income private schools. Recognizing that hiring specialized art teachers was not feasible for many schools, we developed the “Art for Educator” (AFE) program to empower existing teachers as facilitators of visual arts and SEL.

EDITORIAL
Universal Design for Learning: A Natural Fit for El Sistema-inspired Programs

Graciela Briceno, teaching artist and Foreign Service Officer, Accra, Ghana

10-02-2024

Imagine that you are walking up a staircase that leads to a school entrance, and you notice a sign that says, “ramp located at the back door.” Okay, so the sign and the ramp make the building technically accessible—but a person who can’t use stairs has to go all the way to the back of the building, locate the ramp, and hope that the door is open.

What if, instead of a staircase in front and a separate ramp in back, the architect had created a walkway that incorporates stairs and ramps all in one place?

This is the foundational metaphor of Universal Design for Learning, or UDL.

Arts Educators in India Drop Old Habits, and Their Kids Flourish

Rathi, Director, Slam Out Loud

07-10-2024

In 2016, Jigyasa Labroo was teaching in the conflict area of Kashmir, India. She brought a poetry exercise to her class of 60 girls that called for them to express their emotions. Jigyasa expected the regular childhood emotions of joy, wonder, and friendship to emerge; what came out instead was mostly pain, anger, isolation, and sadness. The room that day held a great deal of tension and hurt—but also some catharsis. At the end of class, she realized how important it was to create spaces for children to express themselves safely through the arts.

Share

ABOUT US MASTHEAD THE AMBASSADORS THE ARCHIVES SUBSCRIBE CONTACT
© Copyright 2022 Ensemble News