ensemble learning

 
The Ensemble seeks to connect and inform all people who are committed to ensemble music education for youth empowerment and social change.

No Matter the Medium, Ensemble Learning Makes Leaders of Us All

04-02-2025

For many organizations outside of our shared community, leadership is viewed as a title or formal role—something to aspire to professionally. When it comes to youth empowerment, though, it means a bit more. We see it in the everyday actions, habits, and mindsets that empower individuals to make a difference. Leadership, for us, is about inspiring others simply by living your values.

At Enabling Leadership (EL), we strive to support young people as they find their way toward those actions and values.

The US Government Canceled a Youth Concert. Military Veterans Uncanceled It.

04-02-2025

When I learned that the organization Equity Arc was presenting a wind symphony concert and learning intensive that brought together under-represented youth musicians and the USMB, I was ecstatic. This was a chance to stand beside my idols, the individuals I’d looked up to since first discovering them. I prepared like never before. And, eventually, the hard work paid off: I was selected. It felt surreal; finally, a chance to perform with my heroes, my mentors, my friends.

The excitement grew for weeks…until February 24, when I received a dreadful email that stated: “In accordance with recent Executive Orders impacting DEI-related programming for federal agencies, the Marine Band has been instructed to cancel our collaboration.”

At a Canadian Military Base, a Núcleo Answers an Overlooked Need

02-05-2025

“Where can we have the most impact?”

This question will resonate with many Ensemble readers, especially those who’ve thought about starting a new program or adding more sites to their program.

For the leaders of the Canadian network Sistema New Brunswick (Sistema NB), it sparked an unusual answer: “A military base!”

Two weeks, 13 concerts, 22 musicians: The Ghetto Classics All-Stars Tour Kenya

02-05-2025

Nairobi, Kenya, November 2024.

A small room bordering East Africa’s largest dumpsite. Heat scorches through tin roofs as dust rises from the cement floor. Inside, 20 Kenyan musicians focus on Belgian saxophonist Toine Thys: they take in his every gesture and expression, eager not to miss a note. In the drum section, Canadian drummer and pedagogue Karl Jannuska passes his drumsticks to a Kenyan musician and picks up the shakers. Together, they are about to carve the thick air with an Afro jazz beat.

They’re also about to embark on their first national tour.

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